Posts Tagged ‘Bill Nighy’
4 items.
C’mon guys. You can’t deny it. Davy Jones is totally hot for Captain Jack Sparrow. Why do you think he let him go all those times? It’s because he wants him to come back to him. A classic tale of unanswered love.
Think about it. What does Sparrow spend more of second movie looking for? Davy Jones’s treasure. And what’s in Davy Jones’s treasure chest? His still-beating heart! Davy Jones is one of the most unintentional emo movie villains of the last 5 years? Don’t believe me? You should totally check out his MySpace page. It’s full of bad poetry and blog posts about how “the world doesn’t understand him.” His lists Evanescence as his favorite band.
Loser.
Do you guys like today’s comic? I had a lot of fun working on it. Although, I must admit, getting the costuming details right on Sparrow and Jones was difficult. Can’t forget that nodule hanging off Jones’s face! I think I might have gone a little overboard with the eyeliner on Sparrow, but I like the way the barnacles turned out on Jones. It was a treat to figure it out.
Like most of the free world, I’m planning on seeing Pirates of the Caribbean: At World’s End this weekend. We have a babysitter lined up. We’re going.
I don’t think Cami is entirely over the moon about it. When we went to see Pirates of the Caribbean: Dead Man’s Chest, we showed up a little late and had to sit in the front row. You guys know how long that movie is. That’s a long time to be staring up Orlando Bloom’s nostrils. By the end of it, we had such cricks in our necks, we were miserable. To add insult to injury, Cami was pregnant with Henry at the time. So whenever one of Davy Jones’s slimy crew members slithered into a shot, she wanted to blow chunks like she just ate at Long John Silver’s.
Switching gears for a second, something I didn’t get to talk about in Monday’s blog due to my Diggers review was Shrek the Third’s $122 million dollar weekend. Interestingly enough, it ranks third as the film with the best opening weekend behind Spider-Man 3 and Pirates of the Caribbean: Dead Man’s Chest.
Call me cynical, but is anyone else afraid that we’re entering into a future where ever few years there will be a new Spider-Man, Shrek or Pirates movie? Consider that between these three movies alone, nearly HALF A BILLION dollars was made in a three day time period. Ignore the complete theatrical run. Ignore the DVD sales. HALF A BILLION for three movies in three days. Insane. I don’t think Hollywood can turn their back on that kind of money. These characters will have longer lives than Freddy Krueger and Jason Vorhees combined!
Something else I neglected to mention because of my review on Monday was the recent installment of The Triple Feature talkcast. I know it’s too late to participate in this week’s show, but you can always download a copy from TalkShoe. This week we talked about Shrek the Third, At World’s End, Diggers and another small movie called Waitress. Joe was back from his vacation tanned, rested and ready to go. We were back up to full strength and it felt good. I really like doing these shows with Joe and Gordon. I look forward to it every week.
Hey, if you’re interested in getting a reminder sent to you VIA e-mail when new show times are posted, send me an e-mail and I can add your contact information through our listing at TalkShoe. For some reason, you can’t input it yourself, but I can manage contacts in my account settings. I just thought I would put the offer out there if anyone was interested. I get a lot of e-mails from people saying, “Darn, I missed the show!” This would be just an extra reminder.
If you’re not interested, just by a monthly calendar and write down “The Triple Feature – 9:00 PM CST” every Monday for the rest of the year!
Speaking of the variety of e-mails I get from you guys, I received quite a few in my mailbox this week regarding a certain t-shirt design…
For those of you who are fans of the t-shirt manufacturing / artist community Threadless, you may have noticed a new shirt design that was announced by the company that shares a certain thematic similarity to some shirts I’ve been selling on the site for a while.
The shirt is called “Spoilt” and it was designed by Oliver Moss. Here’s the design:
As you can see, the shirt spoils the various plot twists of a number of different movies in a manner similar to a couple of shirts I’ve been selling from Theater Hopper for the last few years:
It was interesting to read some of the e-mails that people sent. A lot of you were outraged and labeled Moss a theif. I appreciate your support, as backwards as that sounds. It was actually very comforting to know that I had a lot of people out there watching my back. But here’s the scoop and I’m putting it out there to hopefully put things to rest.
Oliver Moss is not a thief and it’s unfair to label him as such.
I knew about Oliver’s design back when the shirt was still going through the voting phase. I’ll admit that it freaked me out because I actually thought Oliver did a really good job with it and (being somewhat familiar with what the Threadless audience looks for in a design from prior business relationships with them) I knew it was going to be a hit. Someone pointed out at the time the similarities between Oliver’s concept and my own and Oliver defended himself by stating that the similarities were never intentional and that the concept stemmed from a forum post he made over at Yay Hooray almost two years ago. Oliver and I even exchanged e-mails over it and he again expressed no ill intent. I believe him. Moss has more than a few designs that have been sold through Threadless and other clothing vendors. He’s not stupid. I don’t think he would intentionally expose himself to these kind of indictments.
I know the web comic community just fought a round with the plagiarism boogeyman after the whole Todd Goldman incident, but my attitude regarding the similarities between my shirts and Moss’s shirt is this: It was a coincidence. It happens. In fact, it happens a lot in web comics where people covering similar genres come to the same conclusions on jokes. Usually it’s not intentional. Just great minds thinking alike.
Obviously Moss’s design is visually different, so he has no worries there. And, in regard to the number of similar movies “spoiled” in our designs, the fact of the matter is there just aren’t that many well-known movies with twists in their plots to expose. So, again, another happy accident.
If anything, I think Oliver and Threadless probably have more to fear from LucasFilm for Moss’s rendering of Darth Vader’s helmet. If R. Stevens was sent a cease and desist letter for the pixelated R2-D2 he tried to put on a shirt and sell, I can’t imagine how long Threadless is going to skare by before the Lawyers from the Dahgobah system catch wind of this…
PERSONAL THOUGHTS: I’ve been on a weird emotional roller coaster regarding these events. When I found out that Threadless had moved forward producing the shirt, my heart sank. I figured that this was the end for Spoiler I and Spoiler II because if I tried to continue selling them, I feared people would look at them and say “You stole this from Threadless!’
Sure, I have the date stamps of when my design was created and the PayPal receipts for the first batch of sales to prove that I got there first. But I didn’t imagine that having much sway in the court of public opinion. Moss’s design is flashier. Mine is plain. Threadless is a HUGE online entity that most savvy web surfers are at least peripherally aware of. Theater Hopper is a mid-sized web comic that’s be silently chugging along for a few years. I felt the distinct feeling of obsolescence. Was this the universe sending me a sign? Should I stop producing the Spoiler shirts? Should I do something different? Should I get out of web comics altogether? It really sent me for a loop.
Then, things got worse. Voters made the post about Moss’s design the second most popular story on Dugg. Then BoingBoing picked it up. I was almost… angry. It didn’t help that Threadless’s prize for winning designs is $2,000 which would have come in REALLY handy for me right now after being slammed hard for taxes I owe. I felt my hands were tied. There really wasn’t anything I could say to defend myself without coming off like a hater and – really – it’s not like I was the first guy in the world to think of spoiling movies and putting it on a t-shirt.
But then things started to turn. The story showed up on You Thought We Wouldn’t Notice (soon to be deleted). Although it was overly harsh and their editors didn’t do any fact checking (the reason for the deletion), people were aware of what I had been doing and there was some validation in that. Then the BoingBoing article was revised to include a link to Theater Hopper in reference to my original designs.
And then the flood came.
Traffic from BoingBoing was overwhelming the server. I couldn’t access the site through most of the day. This is always a good problem to have and it was very exciting. Several people were coming to the site that might not have otherwise. On top of that, some of them were even buying the Spoiler I and II shirts! Amazing!
And then I realized something profound. “So what?”
This shirt thing is so much bigger than me and so far beyond my control. I’m happy with the recognition that I have. I cherish all of the e-mails of support that were sent to me and thankful to those who stood up for me on the Threadless and Dugg comments board even when they didn’t have to. I’m thankful for the free market that let’s people decide what shirt they would rather have and some people decided to take advantage of it and back the little guy. Ultimately, I’m impressed that there are opportunities for BOTH Moss and myself to carve out a niche for ourselves artistically and that there are people out there who will support it.
For those of you who are new to Theater Hopper – welcome. For those of you who continue to support the site – sincere thanks.
This has been another interesting chapter in the history of this site. I never could have predicted it.
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May25
I’ve said it before and I’ll say it again – I think Bill Nighy’s performance as Davy Jones is probably one of the most indellible character creations in the last 10 years. By far one of the most interesting screen villians we’ve had in a long time. Part of that is due to the arresting visual design, but my affinity is moreso for Nighy’s brilliant vocal affectations and tics. He makes Jones menacing but unique and it’s a treat to watch him cut loose.
Although I’m aware that the movie suffers an “everything AND the kitchen sink” mentality, Nighy and Jones is the big reason I’m excited about Pirates of the Caribbean: At World’s End. Early reviews are split down the middle. Most critics complaining about the film’s wanderlust and overall length. It’s not as though these complaints will keep people from the theater. Personally, I’m not paying much attention to it. The complaint that a movie is “too long” has never made sense to me. Anyone who has watched a movie before 1950 knows most of them were 2 and a half hours plus. Producers wanted to give you your money’s worth. Now that ticket prices are upwards of $10.00, why wouldn’t you want more entertainment for your dollar.
I mean, I understand if you think a movie blows, being forced to sit there for an extended period is no fun. But believe it – SOMEONE out there is going to be really into it and appreciate the greater length. The only movie I can think of where they should have dropped the curtain early was A.I.: Artificial Intelligence. The minute you think the movie is over, walk out of the room. Seriously. You’ll thank me for it. That version is a MUCH better film.
But I digress. Big blockbusters that are all about the visuals? If you’re complaining it’s too long, your atttention span is too short. I think we all know that Spider-Man 3 didn’t make it on my all-time favorites list. But it was also an exceptionally long movie and it didn’t bother me. My complaints were about characterization and my close affinity for the characters. But the visuals never dissapointed. This will likely be the mentality I carry into At World’s End and I think it’s a prudent one.
Do you guys like today’s sketch? It’s kind of a departure for me. I found a great reference photo to work from and actually kind of surprised myself with this one. It was one of those times where you just kind of nestle into the pocket and you don’t want to stop drawing because you’re afraid you’ll ruin it if you come back to it later. That’s a good feeling.
Not much news to report. The site is still suffering a bit from all the Threadless controversy. I’ve been monitoring the referral links and the places people are coming to the site from are more far flung than I originally imagined. I think it’s great! Welcome everyone! Things will probably be back to normal in a week or so.
All this t-shirt hullaballo has really gotten me thinking about new t-shirt designs. I’ve had a bunch of ideas for a while, but can’t seem to get motivated about any of them. I think I had a mental barrier because I kind of had my sights on producing the Theater Hopper Year: Three book. I think I’m taking that off the table for now. I jumped through a lot of hoops to get Year One and Year Two off the ground last summer. I think I’m going to take a break from that and concentrate on t-shirt designs. I think if I can zero in on a few good ideas, it might actually help my push the remaining copies of the books that I have – which is probably a greater priority than taking up more real estate in my closet with a new book.
I have an idea for a Spider-Man 3 shirt that I don’t think will get me in trouble with any copyright infringement. If I’m lucky, it won’t piss off the fans of the movie, either. It’s a little sarcastic, but it comes from a good place. The reference is obscure enough, I think people will get a kick out of it. Anyway, hopefully I’ll be able to take advantage of the holiday weekend and have some new designs for you on Monday. Fingers crossed!
Hey, why don’t you leave some feedback on the comments page. With all the site outtages, I feel like I haven’t had a chance to talk to any of you guys!
Have a great weekend!
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May28
REVIEW – PIRATES OF THE CARIBBEAN: AT WORLD’S END
May 28th, 2007 |
(4 votes, average: 6.50 out of 10)
The Golden Age of Hollywood pirate adventure movies consisted of swash-buckling, swordplay, thin mustaches and derring do. Occasionally, the hunt for buried treasure was thrown in before the hero sailed into the sunset with the girl on his arm.
In the formative years of the franchise, the first film Pirates of the Caribbean: The Curse of The Black Pearl did a great job of breathing new life into the genre by mixing in a dash of supernatural tonic. It’s tale of cursed Aztec gold and undead skeleton pirates made for a frolicking popcorn blockbuster.
It’s sequel, the overlong but technically superior Pirates of the Caribbean: Dead Man’s Chest upped the ante by constructing mythology around the Pirates universe and branding an indelible mark on film history by introducing one of it’s most memorable villains in the entirely CG-created Davy Jones (performed brilliantly by Bill Nighy).
In the third (and possibly last) movie in the franchise, Pirates of the Caribbean: At World’s End, there was very little territory left to cover and the film dives deep into the metaphysical and surfaces with six kinds of weirdness. What made the originally Pirates inventive and the second compelling feels overdone in the third movie.
At the film’s onset, our merry band of sea-faring adventurers – including Orlando Bloom, Keira Knightly and Geoffrey Rush – meet with the Pirate Lord of Singapore, Sao Feng (plays with a craggy slither by Chow Yun-Fat). From him they seek an ancient map that will lead them to the the so-called “End of the World” that will literally plunge them into the barren limbo of Davy Jones’s Locker. Contained therein is the perpetually loopy Captain Jack Sparrow, whom they seek to rescue.
Nothing about Davy Jones’s Locker makes sense. Not the ego-driven hallucinations it seems to inflict on the increasingly unhinged Jack, not the fact that his ship, The Black Pearl, seems to have survived the cross-over in tact and certainly not the oddity of a million rock-shaped crustaceans that billow under the hull of the Pearl, pushing it toward water. All of this non-sense is representative of the bigger problem in At World’s End. There’s a lot of stuff in the movie that looks really cool, but all of it feels inconsequential because the film either changes the rules of it’s universe (or worse) makes it up as it goes along.
Discussing the plot of the movie will do it no service. There are so many double-crosses, hidden agendas and obscured half-truths uttered throughout that it makes it difficult to follow which characters have allegiance with another at any given point in the movie. I wasn’t bothered by that so much. I haven’t yet mistaken a Pirates of the Caribbean movie for a David Mamet film and I’m not about to start.
What bothered me most about the film is that never once did I feel that any of the characters were in any kind of danger. Geoffrey Rush’s Captain Barbossa came back to life at the end of the second film. It gives nothing away to say that Captain Jack Sparrow matches the feat when he is rescued from Davy Jone’s Locker in this movie. Screenwriters Ted Elliott and Terry Rossio wrote too many loopholes of supernatural origin into the mix. Between the mystical map that leads to the Locker, to Jack’s compass that lead’s you to your heart’s desire, to the 9 pieces of 8, to the sea-goddess Calypso bound in human form to the voodoo priestess Tia Dalma, to the contents of the Dead Man’s Chest… Too often characters seem to pull these trinkets or pieces of information out of their back pocket at the last minute to make bargains or back out of sticky situations. In more capable hands, it could be clever. In this instance, it just feels tacked on.
Particularly when we’re informed that killing Davy Jones won’t end his curse, that his ship – The Flying Dutchman – will ALWAYS need a captain… It’s a set up for an emotional payoff later in the film. But it feels like a contrivance that Jones is no longer a singular scourge of the seven seas. That his is some kind of mantle passed down from cursed sailor to cursed sailor. It strips the character of a great deal of individuality and makes it less satisfying when he is finally dispatched.
That’s not to say that there aren’t a lot of things that the film gets right. The humor that is peppered throughout the film hits it’s mark and, as always, the performances from Depp, Rush and Nighy push everything forward. All three of them seem to be having a hell of a time and they’re a great deal of fun to watch. Rush, especially – who seems to have returned to his role as Barbossa having sharpened his flinty gaze and reveling in a cathartic madness that is four sheets to the wind.
Visually, the film is astonishing. The Pirates universe has always been one that is very tactile. Set design on this film is beyond compare. The Pirate stronghold of Shipwreck Cove is breathtaking. Davy Jones is an even more emotive, slobbering menace and the sight of a 30′ tall woman on the deck of The Black Pearl dissolving into a wave of crabs looks great even if it doesn’t make any sense. Anyone who goes to At World’s End expecting a feast for the eyes will not be disappointed.
The film has been taken to task for being too long, but I found it much more brisk than Dead Man’s Chest even when the film seemed to linger (as each of the scenes set within Davy Jones’s Locker.) The only time I stopped to look at my watch was during the final battle – which probably isn’t a good thing since this was the sequence that was meant to send the franchise out in a spectacular blaze of glory.
When it’s all said and done, the third installment of the Pirates franchise is serviceable as both a conclusion to the series or a potential continuation of it. They left a window open, let’s say that. Those of you who might have been frustrated by the first two films will probably have the same complaints with this one. But for those of you that like to play in the sandbox along with all the other unique characters of the series, you’ll have a good time.
For more discussion regarding At World’s End, be sure to tune in to The Triple Feature talkcast at TalkShoe tonight at 9:00 PM CST where myself, Joe Dunn from Joe Loves Crappy Movies and Gordon McAlpin from Multiplex will discuss our reactions of the film. If you saw the movie this weekend, call in with your opinions! We’ll be taking your calls live! See you then!
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Dec04
Just in time for the holiday season, the studios are trotting out their summer blockbusters on DVD. Disney proves the rule with it’s release of Pirates of the Caribbean: At World’s End out on DVD today.
Much like it’s sometimes murky and crowded predecessor, Dead Man’s Chest, At World’s End plays a little bit better on the small screen. The amazingly rich details of the sets and effects work are kept somewhat more within a controllable scope on the small screen. It really allows you to drink everything in an appreciate the more subtle aspects of what is otherwise a bombastic action thriller.
Unfortunately, some things don’t improve with a reduced scope. While the performances of Johnny Depp, Geoffery Rush and Bill Nighy are largely bulletproof. Rush particularly attacks his roll of Barbosa with zeal. Keira Knightly and Orlando Bloom are as wooden as ever. Dialog is stilted, themes are muddled and there are so many interwoven plot points, it’s difficult to keep track (or care.) The issues I had with how the film was put together back in May still hold true here. For more detail on those opinions, you can read my original review here.
So why review At World’s End on DVD? Presumably for the extras! After all, this is a special 2-disc “limited edition” copy of the film that is apparently going back in the vault on September 30, 2008. If it’s so limited, one would think that the extras are spectacular, right?
Well, not quite.
“Bloopers of the Caribbean” is your standard collection of actors flubbing lines, tripping over the set and asking to “go again” – but not saying anything particularly clever or entertaining. There are only two deleted scenes that were cut for good reason and are equally as boring.
The rest of the bonus features are largely behind-the-scenes documentaries. Some are total fluff, meant to stroke the egos of their subjects – one about Chow Yun Fat and the other about Keith Richards. Much has been made about Johnny Depp’s inspiration for Jack Sparrow coming from the perennial Rolling Stone’s guitarist. But it’s evident in their interview while sitting side-by-side, Depp is trying to extend as much courtesy and politeness to Richards as possible. Meanwhile, his eyes are screaming “THIS GUY IS NUTS!”
I suppose, in hindsight, that’s kind of entertaining.
A few documentaries were interesting, but not entirely up my alley. “The Pirate Maestro: The Music of Hanz Zimmer” and a documentary about Penny Rose, the film’s costume designer were expertly done and add another layer of enjoyment to the film, but didn’t fire up my imagination.
The documentaries under the “Masters of Design” series focus on the propmasters behind Sau Feng’s map, Teague’s Code Book and the dressing of the Singapore set shot for the opening of the film are fascinating explorations into the level of detail provided for the film. The short on Crash McCreery and his design work on Davy Jone’s and his cursed crew was breathtaking. As spoken by one of the interviewees during one of the documentaries “these guys are winning Academy Awards for a reason.”
The big documentary is “Anatomy of a Scene: The Maelstrom” and it has to be seen to be believed. Two full-scale replicates of The Black Pearl and The Flying Dutchman were built inside a warehouse for the film’s climatic sea battle. To see the amount of detail, practical effects and integration with computer effects is mind-boggling and a real treat for people who are looking for ways to deconstruct scenes. Everything from the filming to the editing is on display here and it really gives you a sense of the enormous amount of strategic planning that goes into orchestrating these things.
In fact, I would even go so far to say that it bumped up my respect for the film a few notches. Sure the script had holes in it and the characterization was a little weak. But that’s not exactly why you watch these movies, is it? When you see the great level of care that comes into the process of creating something that has never been seen on-screen before, it forces you to reassess what it is you’re trying to take from the experience. In this way, the bonus features succeed.
Is the film worthy of your collection? Completionists like me will demand it, but frankly, it’s no go without it’s first half – Dead Man’s Chest. Disney had great success with the Pirates franchise. Consider how long it had been since the last pirate film of any sort or the likelyhood that another director will attempt to come along and try to top what’s been done here, it might be a while before we see another entry in the genre ever again! So, yeah – pick it up. It’s a good time.
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