Posts Tagged ‘Cars 2’
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Show us your good side, Mater.
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As you may have heard, a new Toy Story short is supposed to appear in front of Cars 2 this summer. If you haven’t already seen it, here’s a short clip.
As you can see, Ken thinks that he’s in Hawaii, when he’s really just in Bonnie’s room. But unable to deal with Ken’s disappointment, the rest of the toys recreate Hawaii in the room for him. One will assume hilarity will ensue.
Normally it bugs the crap out of me when people cast doubt over Pixar’s efforts. It’s usually a case of sour grapes or people being tired of Pixar being awesome all the time. So it pains me to admit that I think it’s a little too soon to see Buzz, Woody and the gang again.
I mean, I’m sure the short will be hilarious. Heck. If it was were seven minutes of Ken throwing poses and saying “Why, hello there…” it would be hilarious. Michael Keaton OWNS that character.
All I’m saying is… give us a chance to miss you.
Right?
What are your thoughts about the new short? Leave your comments below!
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A couple of days ago, Pixar released the third official trailer for Cars 2 – which seems weird because I feel like I’m already seeing commercials and exclusive clips of it everywhere.
For your benefit, I’ve included it here:
The reaction among most of the online movie blogs was typical. People were licking their chops writing up their best disses.
“If Pixar is the standard by which we inevitably, unfairly measure all other cartoons,” wrote FilmDrunk “Cars is the franchise that proves they’re still human.”
“Eh, it’s Pixar,” opined Pajiba “You’ll see it eventually. What choice do you have?”
Look, I’m not blind. I know that Pixar capped this trailer with a bidet joke. If this were a Dreamworks movie, I’d be worried.
But Pixar just came off their best year ever with the largest-earning, best reviewed Academy Award-winning Toy Story 3. You really think they’re going to take a dump in the punchbowl now?
I get it. People don’t like Cars and they don’t understand why Pixar would line up for a sequel – especially when there are more deserving properties to explore like The Incredibles or Monsters, Inc. I’m with you. BELIEVE ME, I’m with you.
But frankly, this kind of snark is nothing new. People have been predicting Pixar’s downfall ever since they hit their stride. I know I’ve said this before, but I remember people bad-mouthing Finding Nemo when it’s trailers first hit the internet. Where are those critics now. Yeah. Shut up.
I freely admit to being a Pixar fanboy and drinking the Kool-Aid. But that’s only because all of these other critics are so damn intent on asserting themselves as being above-it-all. And should Cars 2 tank critically or financially?… They’ll be the first to say “I told you so!”
It’s really unfortunate because no one ever calls these guys out when they’re proven wrong. “Remember when you said that Wall-E looked like garbage on wheels?” There’s no accountability.
I’m guilty of the same cynicism. I won’t pretend like I’m not. I see a movie like Beastly or Red Riding Hood and my eyes roll so hard they nearly fall out of my head.
But there’s a difference between bargain-basement movie making and a studio with an artistic pedigree. To quote Star Wars (for no reason at all), “I find their lack of faith… disturbing.”
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Someone is going to call my a hypocrite for this one, but allow me to explain myself.
Last Friday, I went on a li’l Twitter rant (as I am sometimes prone to do) about the critical response to Cars 2. What specifically set me off was this article from Cinema Blend titled “5 Ways Pixar Can Move On From The Critical Failure Of Cars 2.”
I have a problem with this because the article was published at 10:30 in the morning on THE DAY of the film’s release. General audiences haven’t even had a chance to see the movie yet and sites like Cinema Blend were already calling it dead on arrival.
To his credit, my good friend Joe Dunn from Joe Loves Crappy Movies tweeted “Tom I love ya but you are just as guilty of this as they are. It’s the nature of the world we live in. :(” This gave me pause. Mostly because, well, he’s not wrong. I’ve been MORE than guilty of this in the past.
Except (and I’m not trying to justify myself here) but when I react negatively to a film before it lands in theaters, I’m usually reacting negatively to the marketing. If I’m 50/50 on a seeing a movie, bad marketing combined with bad reviews will usually keep me away. But if it’s a movie I want to see – like Green Lantern – I’ll probably go regardless. And if it’s a movie I’m wrong about – like X-Men: First Class – I’ll be the first to admit it.
What Cinema Blend is doing is basically saying “The movie is terrible. Critics have already weighed in. Don’t bother. What’s next for Pixar?” I found the assessment premature.
I totally understand WHY they ran the story. Journalism (such as it is) is all about Getting There First. In entertainment journalism particularly, it’s all about citing the trends early and (in some cases) creating them.
American’s also have a weird relationship with their heroes. We love to celebrate their successes and we love to watch them fall. More importantly, we love to watch them get back up. We love a good comeback story. To make that happen, Pixar had to stumble and Cars 2 was easy pickin’s.
Let’s face it: the original Cars didn’t exactly set the world on fire. Kids love it, but most adults loathe it. I used to be one of them. Of course, having a 4 year-old who is in love with the cast of characters from Radiator Springs kinds of forces a perspective shift. But that’s neither here nor there.
In some ways, returning to the well for Cars 2 smacks of greed. The licensing and merchandising revenue from the original film was HUGE. Cars toys haven’t left store shelves for the last 5 years. To leave money like that on the table would be pretty stupid from a business standpoint.
I think that’s what critics are picking up on and they’re punishing Pixar for it. Because here’s the thing: I saw the movie this weekend and it’s not that bad.
I’ll write a full review later over on the Bonus Materials blog, but my point is this: All the doom-saying going on? It’s trumped up. Is Cars 2 a great movie? No. It’ll never hold a candle to Wall-E or The Incredibles. But here was the deciding question for me – “Is it worse than the original Cars?” Not at all. To that end, it’s not worthy of the scorn it’s received.
In my view, critics just got tired of talking about how great Pixar is all the time. They saw their shot and they took it.
What’s been your reaction to the critical backlash against Cars 2? Do you feel it’s justified or is this an industry hit job? Leave your comments below! (and look for my Cars 2 review later in the day!)
In the meantime, I wanted to draw everyone’s attention to a little site-related business. I’ve been making efforts to spruce up the Theater Hopper store and am offering a few new products.
I have officially made available “Artist Editions” of all three of my books. For $3.00 more than the “standard” edition, I’ll draw whatever you want inside the book’s forward pages. For a sample of these sketches, check out the Facebook gallery I put together for all the Theater Hopper: Year Three illustrations I completed. Over 60 to thumb through!
If you already own all of my books, but would still like some custom artwork, I’ve recently made available commissioned sketches for $5.00. I’m deliberately keeping the price low so it gives everyone an opportunity to own an original piece of art. Plus, it helps keep me loose creatively. Some of the stuff people have asked for so far has been really inventive! I’m also building out a Facebook gallery of commissioned sketches as well, if you want to check that out.
Sorry to bog things down with site business, but I’ve realized that I don’t talk much about the business side of Theater Hopper anymore and things have suffered for it. Considering I only talk to you in this space once a week, I need to do a better job of folding that back in.
That’s all for now. Have a great week, everyone!
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As you probably know, Cars 2 came out this weekend. And, as you probably know, most critics didn’t like it. Cars 2 has the dubious distinction of being the first “rotten” movie in Pixar’s 15-year production history.
Unfortunately, this is probably what Cars 2 will be most readily identified with – a punctuation mark on unsurpassed era of critical praise. This is unfair for a number of reasons.
The peripherals of Pixar’s films include a legacy of quality, critical response to that standard, box office success and merchandising ubiquity. In many ways, this is a Jenga stack that was destined to tumble. As each new film is released, any small imperfection will be magnified and exploited before the tower falls.
In this case, Cars 2 has the unfortunate distinction of being released behind Toy Story 3 which was Pixar’s most profitable, best reviewed film to date. Next to that, nearly anything would have looked like a pale imitator.
But does that mean that Cars 2 is a bad movie? No, it’s not. Is it a great movie? Well, no. Not exactly. Then what is it? Cars 2 is a perfectly serviceable piece of family entertainment that moves briskly, entertains thoroughly and doesn’t insult the audience’s intelligence. That sounds like faint praise. But neither is it condemning damnation.
I guess walking out of the theater, the question that I tried to answer was “Is Cars 2 worse than the original Cars?” My conclusion was, “It isn’t!” So, by that logic, how can it be the worst Pixar movie of all time. Or, at the very least “rotten?”
Well, I would say that there we some opportunities missed. Unlike the original Cars, whose theme was basically “Slow down and enjoy life,” Cars 2 serves up a tepid lesson about letting your friends be who they are. It doesn’t exactly resonate.
Additionally, I find that one’s enjoyment of Cars 2 weighs heavily on their ability to tollerare comedian Larry the Cable Guy as the faithful tow truck, Mater. Make no mistake about it – Cars 2 is his movie. Either you’re okay with that or you’re not.
In the negative reviews I’ve read, most critics aren’t okay with that. It’s understandable why. As a character, Mater is well-meaning, but best in small doses. Regrettably, what Cars 2 does is makes him slightly more insufferable and ignorant so Owen Wilson (as racing superstar Lightning McQueen) has a reason to push him away in the film’s first act.
This feels a little disingenuous to the character. Despite Mater’s country-bumpkin exterior, in the original Cars, he at least seemed to have some awareness of how others perceived him. I’m thinking specifically when Lightning McQueen is brought in front of a Paul Newman’s Doc Hudson to answer for tearing up the main drag in Radiator Springs. When Bonnie Hunt as Sally shows up, Lightning McQueen is awestruck. Even moreso when Mater says Sally is his financée. “What?!” Lighning says, incredulously. “I’m just kiddin’,” Mater responds. “She jus’ likes me for my body.”
None of that self-awareness is on display in Cars 2 and Mater feels like he’s taken a step backwards as a result.
The resulting lack of message or character progression can make Cars 2 feel somewhat shallow if you listen to your inner cynic. “This is just a money grab!” “They want to sell more toys!” You’re inner cynic is right, by the way. I’m just saying that doesn’t mean Cars 2 is a bad film.
In terms of scope, creativity, design and attention to detail, Cars 2 delivers exactly the way you expect a Pixar movie to. In fact, once the dust settles and people seriously sit down and consider Cars and Cars 2 side-by-side, I think they will agree with that assessment. From a technical perspective, Cars 2 is every way superior to its predecessor. Animation buffs will be dissecting it for years.
Considering that Pixar has always been a studio that trumpted the value of “Story First,” Cars 2 failings in this area makes the rest of the film seem like a sell-out. I don’t feel that way because I never felt like the film was wasting my time.
The more I think about it, the more I acknowledge that maybe I have my “fanboy blinders” on. But I guess I feel like I see both sides of the equation. I know where Cars 2 doesn’t work but I don’t feel like that diminishes the accomplishments of what DOES work about the film. Therefore, I don’t feel like critics are necessarily justified in punishing the movie with abysmal reviews for an otherwise inoffensive and acceptable film.
If it was a Dreamworks movie on the other hand, maybe we could talk. 😉
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