For the record, I have to state that I do not PERSONALLY think Orson Welles is a failure. But in order to create conflict and move the plot forward, I have to put comic-Tom in an aggressive stance and have him say something inflammatory to provoke our guest – Brian Carroll from Instant Classic.
Comic-Tom is taking the short view on Welles’s career. One mired by depression, morbid obesity and borderline alcoholism. All of which are handily (sadly) represented in these infamous out-takes from a commercial Welles did for California Champagne company Paul Masson.
Of course, it doesn’t help that the most visible representation of Welles in the last 15 years comes from this parody piece from The Critic. Which, I have to admit, played a role in defining Welles as a individual for me several years before I studied him or even knew who he was…
This, of course, being a satirical twist on the also infamous audio outtakes from a radio spot Welles did for a company that sold frozen peas.
Think about this for a minute: The director of what is argued to be The Greatest Motion Picture of All Time arguing with some marketing guy about the copy he’s being paid to read in a frozen peas radio commercial. It’s just… bizarre.
Of course, these late-career foibles are easy to reach for when you’re trying to make an argument against Welles and his impact. Personally, I think he was a genius. If maybe a genius who got in his own way a little too often.
But put it in context. If you made Citizen Kane and followed up with The Magnificent Ambersons, I think that means you pretty much get a free pass career-wise for the rest of your life. Those were two big, important, stylistically rich films that everyone not only needs to see, but to own. It’s important film history – work the set the template for countless films that followed.
There’s a reason everyone recognizes “Rosebud,” even if they don’t know what it means.
I don’t know if I would have been compelled to add this disclaimer under normal circumstances. But I’ve already gotten a few people writing to ask “Why do you hate Orson Welles.” I don’t hate Orson Welles. I think he’s awesome. I’m just sacrificing my comic avatar for the sake of moving the plot forward.
I think I’m going to wrap up this story line on Wednesday, so be sure to come back for that. Afterwords, it’ll be back to making fun of what’s currently in theaters!
See you then. Have a great day, everyone!
Back in the day (which was about two years ago on the internet time-line) I had a Facebook fan page. It was great, but I recently decided that I should take the Facebook thing a little more seriously. So I established a Facebook “business” page instead…
http://www.facebook.com/theaterhopper/
I’m still trying to kind of figure out the difference between the two. But the biggest difference I can determine is that status updates from this page will appear in your feed if you make yourself a fan. So it’s a really great way to stay connected to the comic and reminded of it when it updates.
I’ve been investing some time into making my new Facebook page a little more than just a bookmark on the site. So I’ve added tabs for Cast information as well as popular Story lines. I’ve gotten great feedback on these – people have been asking how I added them, so I assume people are looking at them.
The Cast information is a rehash of what’s already on the site. But the Story lines page is all new content. In fact, I plan on adding to it in the near future! So if you have any suggestions as to what story lines represent Theater Hopper the best, I would love to hear your suggestions! Feel free to leave them in the comments area below.
Of course, if you’d like to become a fan of the new Theater Hopper Facebook page, that would be cool, too.
Related Posts ¬
Jan 9, 2009 | CAST PAGE |
Jan 14, 2009 | MORE ON IN-TEXT ADS |
Jan 11, 2012 | AN EXPOSED NERVE |
Feb 11, 2011 | X-MEN: FIRST CLASS TRAILER |
Nov 2, 2007 | FACEBOOK GROUP |