Does anyone remember the movie S1m0ne referenced in the title of today’s strip? It was a movie starring Al Pacino from 2002 where a movie producer digitally creates a synthespian – an actress that becomes an international celebrity. It’s a terrible movie, but an interesting idea.
Similarly, I’m not convinced that today’s comic isn’t exactly funny, but I think it’s good idea.
I certainly hope this comic doesn’t upset anyone in Australia. I know Sam Worthington is kind of a big deal there. But you have to understand, here in America, the dude came out of nowhere. I literally never heard of the guy before last year and all of a sudden he’s inserted himself into all of these huge, effects-heavy blockbusters. Terminator Salvation and Avatar in the same year? Where did this guy come from?
Now because of the box office success of Avatar, everyone acts like we’re suppose to know who this guy is. Sorry, I’m still confused. Am I alone in this?
Now Worthington is in another effects-heavy blockbuster this weekend with Clash of the Titans. This movie looks goofy as all get-out to me. But I guess that’s okay because the original was kind of goofy, too, right?
Except the original was a showcase for the unique stop-motion artistry of Ray Harryhausen. Even if the plot was crap, you could still sit back and enjoy the inventiveness of the effects work. What can a remake hope to accomplish when there are literally dozens of effects houses around the globe that can produce the kind of digital wonders we expect to see Worthington pretend to react to?
From everything I’ve heard, the new Clash of the Titans is pretty much a dud. I also heard that the studio applied the 3D process to the film late in the game to cash in on the 3D trend and it looks terrible. So if you plan on seeing the movie this weekend, don’t shell out the extra money for 3D.
Despite all of this, I still kind of want to see it. I can’t explain why other than it’s one of the first effects-heavy blockbusters out of the gate for 2010 and I’ve kind of been starving for some dumb entertainment. Consider it an appetizer before the meatier, more satisfying blockbusters yet to come like Iron Man 2 and Toy Story 3.
What’s your take on Clash of the Titans? Do you plan on seeing it this weekend? What are your thoughts about Sam Worthington. Did he come out of nowhere for you, too? Leave your comments below!
So I guess you can consider this comic the companion piece to Wednesday’s comic where I suggested Sam Worthington was some kind of synthespian or artificial actor. I guess I don’t know what to say about it except that I can’t turn down a joke where someone is peeing their pants. I’m talking to my therapist about it.
I thought that I would see Clash of the Titans late Saturday evening. But it looks like I might be going this afternoon, instead. My father-in-law offered to watch Pearl for the afternoon while I go get an oil change for my car. I was kind of taken aback. I’m thankful for a little break, but I couldn’t think of anything I wanted to do after the oil change. But when I saw a commercial last night advertising the Thursday midnight screenings of Clash of the Titans, I knew where to go.
This has been my first week home with Pearl since my contract job ended and it has been very rewarding. We have an opportunity to bond a little more now and I’m grateful for the opportunity. Having steady employment is great, but they’re not kidding when they say you don’t get this time back.
That said, taking care of a four-month-old can be time-consuming. Even when she’s napping, I’m taking care of the house so Cami doesn’t have to worry about it when she gets home. Laundry, dishes, dusting – all that. It’s only fair. As such, I feel like I’m not connected to things like I used to.
It was no big deal to take a 5 minute break at work every couple of hours and check things out online. Now I don’t have time to do that, so I feel like I’m floating a little bit.
But, like anything else, it’s about settling into a new routine. I guess I just wanted to share that this first week at home with Pearl has been a success.
Changing gears, I wanted to share something with you guys that kind of threw me for a loop.
First, I need you to take a look at this image. It’s a mockup for a new convention banner that I’m going to take as part of my booth setup to C2E2. I’ve been making the rounds, trying to gather feedback on it and figure out ways to make it more eye-catching. If you follow me on Twitter, you’ve probably seen a few posts related to this.
The second thing you need to know is that I am a paying member at Webcomics.com – Brad Guigar’s site that provides support and feedback to webcomic artists trying to improve their work.
The last thing you need to know is that the general reaction to the banner is that it’s nice, but that the tag line does not reflect the characters. In other words, I’m setting up the expectations that my lead characters are “difficult,” but I show them being pleasant and non confrontational.
My reaction to this criticism can basically be summed up by the statement that I really like the tag line, but I don’t want people to think my characters are jerks.
Brad leveled me with some feedback over at Webcomics.com that must be pretty close to the truth, because I’m sharing it with you here right now.
“What you’ve got there is a derivation of the Mary Sue complex,” writes Brad. “You realize at a basic level that all of these characters are really you on a psychological level. The sooner you allow ‘yourself’ to be disliked for the sake of your humor, the sooner you can write better stuff.”
I’m under no impression that Brad follows what I do with any regularity. But his powers of observation uncovered a truth about me as an artist that I hear over and over again – My Need To Be Liked.
I think anyone that has read this blog for a while knows that I will sometimes apologize for a joke the minute after telling it. A lot of people scratch their heads and ask me “Why do you do that?” In the past, I’ve always said it was because I don’t want to accidentally offend people. But fundamentally, I think it’s because I have a need to be liked.
I don’t know that this was as much of a problem when I first started out. Probably because there weren’t any expectations. Less people were looking at the comic, so there was less of a chance that I was offending anyone.
But in the last few years I feel like I’ve suffered accusations that don’t represent me as a person that have probably changed the tone of my work. I don’t have a problem saying what’s on my mind, but I’m not the kind of person who seeks to offend. So, as a result, I’m starting to wonder I’ve been concentrating less on my work and concentrating more on trying to prove I’m not a bad guy.
I don’t know. I’m still working some of this out in my own head. But one of the advantages to the internet is that I can pose these scenarios to you guys and get an outsider’s perspective.
One of my failings as an individual is that I have absolutely no idea about how others perceive me. I try to lead a good life, I try to avoid hurting people and somehow this combination has lead me into a corner where I am not really letting me be myself through my work.
Maybe that’s the reason I’ve been toying around with the idea of doing a journal comic for so long.
Anyway, now that I’ve dumped that in your lap, I’m curious as to what you think. Is Brad onto something? If you’ve been reading the comic for more than a few years, have you detected a shift that has been otherwise invisible to me?
I appreciate your feedback!
Remember the Summer of 2011? The sequels, the superhero movies and the throngs of “adult” movie goers who complained that there wasn’t anything that met the needs of their discerning taste?
Somehow, Crazy, Stupid Love filled that void and became the antidote for kiddie movies and blockbusters. I’m not sure how. The movie was very much about surface impressions and, in the end, very much a farce. But the whiners were appeased and went back to their domiciles to eat cheese and drink a nice merlot.
Meanwhile, here comes The Debt – a taut, emotional espionage thriller about former Massad agents who worked together in 1960’s East Berlin to track down a Nazi war criminal. Things go wrong and they’re still dealing with the fallout several decades later.
Meanwhile, no one is talking about it.
I don’t know if the pedigree of the film is turning people off or if it just looks too complex since it’s about espionage and takes place in two different time periods. But it’s been getting great reviews and is probably worth checking out. Frankly, you had me at “Helen Mirren.”
Is anyone else planning on checking out The Debt this weekend?