For those of you who came back to the site this weekend, I have a special post-Halloween treat for you! If you vote for Theater Hopper on buzzComix, you’ll get to see a very special Halloween piece of art I whipped up just for you! Consider it a reward for supporting Theater Hopper.
It’s really important to me that Theater Hopper breaks into the Top 10 over at buzz before Monday. I believe strongly that if we can get to that level by then, we have a really good chance of STAYING there for the rest of the month. Be sure to remember that if you vote today, you can come back and vote again tomorrow… and the day after that… and EVERY day! Just one simple click does more to help this site than you may realize, so please vote!
I think you’ll be really pleased with the extra artwork that I put together. I tried coloring it a little differently than I do the regular strip, so you can see if that’s something you would enjoy down the road. Could it be an indication of an evolution in my artistic style? You’ll have to vote to find out! And if you like it, let me know what you think in the forums!
Thanks again to everyone for their help! I’m lucky to have one of the friendliest and most generous fan bases is web comics. Thanks again!
Related Posts ¬
Apr 13, 2005 | SOMETHING I FORGOT TO MENTION |
May 31, 2004 | TOP LIST RESET |
Nov 4, 2004 | IT’S ALL ABOUT THE DAYFREE |
Feb 4, 2005 | THIS POST IS JUST TO TORTURE YOU FOR A MINUTE |
If you’re looking at the site today and wondering where the full-color comic is, then it’s likely you missed the announcement I made late Monday night.
In order to spend more time with my infant son and wife, I have reduced my output of full-color Theater Hopper comics to once a week effective immediately. I will continue to maintain the Monday, Wednesday, Friday update schedule – supplementing the site with sketches, movie and DVD reviews. With any luck, it is my goal to evolve Theater Hopper beyond strictly comics and into a movie resource for movie fans. Comics have become a great drain on my time. However sketches and reviews are something I can do anywhere. So, here we are.
Again, if you missed Monday’s blog post, I encourage you to read it. This was not a decision I came to lightly and that post speaks more to the emotions and reasoning behind it. To those who have already read it and left your words of support, I can’t thank you enough. It’s that kind of encouragement that will make this transition easier. With that said, part of my objective with this new model is to bring film discussion more to the fore. With that in mind, I wanted to talk for a few moments about Nicholas Cage’s Next.
On paper, it sounds like an interesting premise. A Las Vegas magician can see a few minutes into the future so the government is trying to recruit him to stop a terrorist cell from bombing Los Angeles. Previous attempts to harness his power by the government has left him a little gun-shy, so he goes on the run using his talent to stay one step ahead of them.
Phillip K. Dick was the author of the original short story called “The Golden Man”. You might be familiar with his time-bending works that have been adapted into films like Minority Report and A Scanner Darkly. I have a few friends who love his written works, but are miffed that the guy can’t seem to catch a break with a cinematic retelling. Most of them are tweaked that Nicholas Cage was tapped for the role. Looking at that goofy DaVinci Code mullet he’s sporting in this film, I don’t blame them. Nic – give it up. We know you’re bald. Just shave your head like Bruce Willis and get on with it.
What I don’t get is why they thought a title like “Next” was any good. If you ask me, you’re pretty much INVITING lousy reviews even if the movie is good! Snarky movie reviewers can’t resist the chance to insert a delicious pun into their headlines. For the latest example of this phenomenon, please consult Are We Done Yet? I’m sure Ice Cube has some opinions about it. Those are pretty much all of the thoughts I had on the matter, but keep checking back to the site during the day – and even on the “non-update” days. I’m going to try and sprinkle the blogs with more movie news and encourage you guys to respond in the comments!
Due to the fact that I was unable to participate in Monday night’s Triple Feature talkcast, I did not provide the first half of the clue to our latest DVD giveaway promotion.
On Tuesday, April 24, Helen Mirren’s Academy Award winning performance in The Queen comes to DVD. I have a handful of copies that I can give away to you guys. Again, since I wasn’t able to do the “one half of the clue” thing in the Triple Feature talkcast, I’m just going to give you the whole clue here on the site. All you have to do is access this page to get it. Be sure to include the clue along with your name, age and mailing address and e-mail it to theaterhopper@hotmail.com. Winners will be chosen at random.
Apologies to Gordon and Joe for not being a part of the show last night, but they did a great job without me. You should really download the episode and take a listen when you have some free time. They both went to see Hot Fuzz over the weekend and had some very interesting thoughts about it that I think you would enjoy!
That about does it for me and this post. Again, remember to check back to the site a little more frequently. I’m going to try and pad things out with more movie news and such for you guys to comment on!
Thanks for your patience during this transition!
I know that today’s sketch and accompanying blog doesn’t have much to do with movies, but I’ve convinced myself that’s okay because there really aren’t any movies this week that I care to talk about. I mean, seriously – The Invisible? Next? Get back to me next week when Spider-Man 3 is about to drop. I’ll talk your ears off about movies.
To whit, seeing as the site has recently taken a new direction and I am still kind of feeling my way around between what I’ve done for the last four and half years and what I’m comfortable doing with sketches, blog posts and so on, I thought I would take the opportunity to talk to you about the 24 Hour Comic Challenge I participated in last weekend. A few of you had been asking about it and I interpreted my participation therein as being more substantial than Nicholas Cage’s latest career suicide.
For those of you who don’t know, the 24 Hour Comic Challenge is an informal competition or art experiment (depending on who is hosting the event) that poses to any artist bold enough to pick up the gauntlet “Are you able to create a 24 page comic in 24 hours? Drawn, inked and lettered. Are you man enough?”
I’ve read the exploits of nearly a dozen of my web comic contemporaries over the years that have answered that challenge. I saw it as a rite of passage that I should participate this year. It’s only been in recent months that I’ve been comfortable identifying myself as a cartoonist rather than a hobbyist. Let’s see if I’ve got the chops.
If you’ve been reading the blogs, you know that I was mulling around a few different story ideas to take to the challenge. My first thought was to do a Theater Hopper “origin” story as told through the eyes of Truman. This is a story I’ve wanted to tell probably for the last 3 years. For that reason, my good friend Joe Dunn warned me not to attempt it. “That’s a really important story,” he said. “You’ll want it to look right. You’re not going to get the results you want if you try to cram it into the challenge.”
I took his advice, but had no idea how right he was.
Instead of the Theater Hopper origin story, I decided instead to tell the real-life Tom and Cami origin story. My comic was going to be about our year together in 2006 – all of the ups and downs we experienced before we brought Henry into the world. I would talk for a while about how Cami and I met, fell in love and married. Then I would talk playfully about our selfishness as we put off having children for 6 years. After that, I would talk about the pregnancy experience. The fact that it was a personal story was something I figured would score points with Cami and permit me to scamper off on this folly.
Since I found out about the contest with only one week’s notice, I scrambled to write up a story treatment. But due to the fact that I have a 2 month-old baby at home, it was hard to find time and I was only able to draft 14 pages. I should have taken this for a clue, but I figured because it was my life and it wasn’t that long ago, I wouldn’t have that much trouble coming up with talking points that I wanted to illustrate.
Soon I would see how wrong I was.
The challenge was being hosted by Mayhem Comics in Ames, a college town that is home to Iowa State University and about a hour away from where I live in West Des Moines. The great distances between locations meant that if I was committed to doing this, I was in it for the long haul. The option for me to go home and catch a few Z’s in the middle of the competition was off the table because I would be wasting two hours commuting. It was do or die.
We were supposed to start the challenge at 2:00 PM on Saturday, but things got off to a bad start. Our $20 entry fee was supposed to cover supplies – twenty-five sheets of 11 x 17″ Bristol board on which to draw. The only problem was that the boards hadn’t been shipped to the store. So the event organizer ran off at the 11th hour to a nearby art store to buy supplies and we ended up starting at 2:30 instead.
In another example of an organizational snafu, guest judge and artist of DC’s Green Arrow and Marvel’s Ant Man, Phil Hestor was in the house a day before he was supposed to. So instead of judging all the entries, he hung around for about 15 minutes and offered feedback to anyone who thought to bring a portfolio. Phil was more than gracious, but that was kind of lame.
Fortunately, I had copies of my books for him to look at and he told me I had some funny stuff. He said he could tell that I was creating something very personal to me and doing a good job at it. “People can see through that right away if it’s done wrong,” he said. It was encouraging. I don’t know why it didn’t occur to me to give him copies of my books maybe to share with his industry buddies. It was probably because I had my head down in the middle of the challenge at the time. But both he and I are going to be at the Iowa I-Con Comic Book Convention on Saturday, May 19. So maybe I can give him some then.
I felt like I was off to a pretty good start in the first few hours of the challenge. But that may have been due to the deliberately sparse opening page I started with and the giant splash panel I did on the second page. By the time we got to the third and four page, I was feeling less optimistic.
Something I neglected to mention, but when the event organizer came back from the art store with our drawing supplies, he brought back gigantic 14 x 17″ sheets of Bristol board. Granted, it’s not much bigger than the 11 x 17″ were originally going to draw on, but I’m not used to drawing my characters at that size. I’m used to drawing them at about 5 x 5″. So I had no idea what to do with proportions, line weight, composition or any of that. Complicate things by having to draw my own panels and do my own lettering (I’ve been letting Photoshop handle those chores for the last four years) and I found myself in over my head.
By the fifth hour, I started falling behind and I could see the writing on the wall. There was no way I was going to get this done in 24 hours.
Over the course of the night, I would work in bursts. The first stretch I went a good four hours. Then I would get tired and take a break. The break would last 10 minutes and then I’d work for a few more hours. Eventually, the breaks started getting longer than the working hours and by the time the guys minding the store busted out a copy of Guitar Hero II to pass the time, I was all washed up. In the end, I only finished 12 pages and started lettering the 13th.
I think it was a self-fulfilling prophecy to have only worked out the first 14 pages. I thought for sure that I could make it up as I went, but I didn’t even have storyboards. So I was figuring out page layout on the fly. Eventually, it all became too exhausting. Never mind that I was competing against three high school kids who were used to keeping these hours.
The prize didn’t end up being all that great, either. $50 in store credit for first place, $25 in store credit for second place. Really only $30 and $5 if you consider our $20 entry fee. I suppose completing the challenge would have been it’s own reward, but who would want free comics?
Actually, I ended up even FURTHER in the hole than the $20 entry fee. The same weekend the challenge was going on was the same weekend Iowa State University was celebrating it’s VEISHA celebration. It’s basically like a big university sponsored Spring Break to keep kids on campus and there is no place to park. I was actually ticketed twice for $10 a pop, so I was out $40 all together.
Things kind of worked out. I managed to sell a couple of copies of my books to the stores for about that much. So it wasn’t a complete wash. Incidentally, an astute reader pointed out that I hadn’t included the Junkie t-shirt as part of the discounted bundle packages and I just corrected that recently. So if you were looking to pick up that shirt along with some other items on the cheap, now is a good time.
By the time I got home Sunday, I was exhausted. I only ended up sleeping for about a half hour during the competition. You’d think I would have been able to get more done for having been up that long. But my brain had essentially turned to mush.
I can’t tell you how many times during the course of the evening I thought to myself “This is a mistake. I should be home right now. Why am I keeping myself away from my family to do this.” When I got home, that examination dug deeper. It would be a lie to say that my participation in the event didn’t contribute in some way to my decision to scale back the comics to once a week.
Life is short, folks and you only get one crack at it. Did I want to be the guy that was there for his family and watched his young son grow up, or did I want to be the guy hanging around with a bunch of teenagers in a comic book shop over a weekend?
In my own defense, I had no expectations of what the event would be like. But knowing what I know now, I wouldn’t have participated.
Then again, maybe it was worth it if it lead me to this kind of important realization about my life and about my hobbies. I think it’s important to stay true to yourself after you have kids. You can’t give up everything about yourself or else what else will you have left to teach them? I think it’s extremely important for creative people to have an outlet to express themselves. In that context, that’s what I thought I was doing. But the big lesson I’ve learned is that sometimes you have to take a step back and ask yourself what you’re sacrificing to do this kind of stuff and have the foresight to ask if it’s worth it.
It’s been a long week for me and everyone’s words of encouragement have been great. I’ve been getting a lot of e-mails and people have been leaving notes in the comments field telling me that I’m doing the right thing. I don’t doubt it. But you know how it is… you have a routine in your life for so long, it’s tough to shake. And me? Well, I’m pretty dense. It took me two months to come to that realization.
Things are good at home and can only get better. Even on your loneliest days, it’s amazing to know there are people out there who understand and support you, even if you’ve never met. What an awesome privilege.
So, to you, thanks. I’ll see you next week.
Ever since it’s release date was announced even before it’s predecessor made it to theaters, Spider-Man 3 has been in the hearts and minds of comic book geeks everywhere.
Well, gang. We’re at the home stretch. Only 4 more days until you can feast upon it’s glory for yourselves.
Since I have now officially (unofficially) dubbed this week “Spider-Man week,” you can expect a lot of talk about one of the most profitable (and most expensive) film franchises in history. In fact, can we talk about that for a second?
According to Radar Magazine, production of Spider-Man 3 cost north of $300 million and that marketing costs alone could cost anywhere from $150 to $200 million. Considering the wide variety of tie-in products on the shelves, this doesn’t surprise me. I mean, why is Spider-Man on my box of Nilla Wafers? Whether or not there are any truth in the rumors, public perception is turning toward labeling Spider-Man “THE MOST EXPENSIVE MOVIE EVER MADE” and Sony (the distributor) is not keen on owning the dubious distinction. Maybe this is why the Playstation 3 was $600? To offset costs? There’s actually a really funny fake trailer on YouTube right now that poses it’s own theory as to how Spider-Man 2 will make it’s money back – product placement.
All of this is just grist for the mill since Spider-Man 3 is pretty much bulletproof going into the summer blockbuster season. Audiences already seem pre-programed to this fact if current box office numbers are any indication. Disturbia was number one for the third week in a row, but pulling in onl $9 million. It’s not surprising for a movie to do $9 million in it’s third week. However it IS surprising that there hasn’t been another film of any discernible quality to unseat it from the top spot. The Invisible came in second with $7.6 million. It all seems to speak to the larger idea that people are saving their money, staying home and waiting for Spider-Man 3 to land like the 900 pound gorilla we know it to be.
Regarding today’s sketch, I was really proud of how the blue line pencils were turning out, so I decided not to ink it. I’m really happy with how it turned out. It’s not a very dynamic pose, but it’s serviceable. I hope you guys enjoy it. Be sure to come back to the site on Friday for a sketched (and inked – natch!) image of Venom. Of course, there will be more in-depth Spider-Man discussion throughout the week. If you have your own thoughts or want to share your excitement, please do so in the comments section. Heck, even if you want to share your apathy, it’s an open forum. So let’s discuss it!
And remember – new comics are now once a week each Wednesday. I’m pretty sure you can guess what this week’s comic will be about.
I think I may have made him a little beefy in the shoulders, but I’m really happy with how my sketch of Venom turned. I tried to incorporate elements of the movie version and the comic book version in his facial features. What do you guys think?
So today is the big day, right? Spider-Man 3 is in theaters. I had a few friends going to midnight showings, but for obvious reasons I wasn’t able to join them. I haven’t been to a midnight showing since Star Wars: Episode III – Revenge of the Sith and I paid for it dearly. I don’t think I have it in me to do that kind of stuff anymore.
Cami and I are planning on seeing Spider-Man 3 on Sunday while my parents watch Henry. Cami’s not too hyped about it. I think it’s because she doesn’t want to encourage my fascination with comic book characters. She always sites precedence back when we watched the first Spider-Man. She fell asleep during the middle of the movie. Honestly, I about fell asleep, too.
But before you grab the pitchforks, know that it wasn’t because I was bored! I think we had done a lot of yard work that day and we were both wiped out. Put us in a dark room with comfortable seats and it’s lights out. Anyway, she always reminds me of that like if I take her to a comic book movie, she’ll be bored to tears. Nice try, honey.
I am somewhat intimidated by the movie’s near 3-hour running time. That’s a long time to be in a theater no matter which way you slice it.
I know earlier in the week that I expressed some apprehension about whether or not the movie would be able to support itself under the weight of it’s own hype. Critics are kind of beating up on it a little bit but I’ve read a lot of fan reactions and it seems to be quite the opposite. Almost bordering on hyperbole. That’s okay. I’m a fan myself. I’ll be right there with ’em. Even though I was apprehensive, I’m starting to get excited again. It’s kind of like when you’re a teenager and you’re excited for Christmas, but then because you’re moody and your Dad made you fight the crowds to get something nice for your Mom, you get dismissive and talk about how you’re “so over Christmas.” Then it’s, like, two days before Christmas and you start flipping out again because you know you’re going to get presents. Same thing.
Did anyone sit through a midnight showing? What did you think? Stay away from spoilers, please. Keep it in the general category. I’m just wondering if some of the critics complaints are valid (over stuffing things with too many villains, over-choreographed fight sequences, etc.) Leave your thoughts below!
Studios attempting to steer clear of the Spider-Man 3 juggernaut (which dropped 60% in it’s second week, but was the fifth film in history to cross the $200 million mark in 9 days) didn’t release many new films of interest this weekend, but of the new offerings, 28 Weeks Later came in second with $10 million. Not to bad. It’s been getting good reviews to boot.
I was kind of at a loss for the sketch I should do for today’s post. At first I tried my hand at drawing a crazed person diseased with the rage virus running at you. It didn’t turn out too well. Then I remembered the excellent marketing campaign 28 Weeks Later came up with in advance of the movie. Those great posters about “maintaining the quarantine” that they slapped up to make your local googleplex look like a totalitarian state. Excellent, eye-catching design. Almost like propaganda. Anyway, I remembered those and decided to try my hand at drawing some dude in a gas mask.
I’ve always found gas masks scary. Obviously they imply an unsafe environment where the air is unclean. That by itself is pretty frightening. But then you get those cloudy lenses, the protruding breathing apparatus and then deep, shallow gasps of filtered air. You think about those elements and it was no wonder Darth Vader scared the crap out of people before he was Hayden Christensen.
Kind of at a loss for words today, so I’ll wrap things up early. Two bits of news, though. The contest for Dreamgirls and Diggers is currently over with. I received my give away copies in the mail last week and sent them out on Saturday. So hopefully the winners will be receiving those soon. No new contests in the immediate future, but hopefully that turns around soon. Keep your eyes and ears peeled.
Oh, and speaking of keeping your ears peeled, be sure to tune into The Triple Feature talkcast tonight over at Talkshoe at 9:00 PM CST. Tonight it’ll be just me and Gordon McAlpin from Multiplex. Joe Dunn from Joe Loves Crappy Movies won’t be able to make it. We’ll probably be talking about 28 Weeks Later, but since I didn’t see it, a lot of tonight’s show is on Gordon’s shoulders. If you want to make our job easier by calling in and participating, that would be great!
One last thing before I forget. This one is for the local fans. Well, local if you’re from Iowa.
I will be at the I-Con Comic Book Convention at the 4-H Building at the Iowa State Fairgrounds this Saturday, May 19 from 10:00 AM to 5:00 PM. This will be my first convention appearance of the year and I’m really looking forward to it. I went to I-Con for the first time last year and the event organizers really put on a good show. From what I’ve heard, it’ll be even bigger this year. So I hope to see you there!
Going to conventions gets me psyched and it’ll be interesting to see how many people locally will recognize me now that my comic has been regionally syndicated in Juice. I’m willing to bet it’ll be up to four people as opposed to three people last year. I made a slew of free buttons for the show, but I still need to print up fliers that I can give to people and entice them to check out the site. Now that I know what you guys think are some of the best strips, I have a good sample to choose from.
Wizard World Chicago in August will be my next convention and my hope is to have Theater Hopper: Year Three available by then. I’ve started doing the layout and I’ll probably have that done this week. After that, it’s writing and proofing. It’s always a lot of work, but a lot of fun.
I’m kind of holding my breath, though. I don’t know if I’ll actually end up producing the book this year and if I do, it’ll be a small print run. To be perfectly honest, I still have a bunch of copies of Year One and Year Two that I want to get out of the door before going to Chicago. They’re $15 a piece, in full-color and loaded down with content. Almost 200 pages each. If you guys want to help me move a little inventory, that would be great. Buy both books together and save five bucks. Bundle a book with a shirt and save, too. Or, help me think bigger. Does anyone have suggestions as to who I could sell a large quantity of books to? I’ve sold a few to local comic shops, but sending the books through Diamond Distribution to get them into stores outside of Iowa wouldn’t be profitable for me. I need to make some one-on-one sales.
Any suggestions?
Talk to you soon!
I did something a little different with today’s sketch. I did a quick coloring job because I wasn’t sure if it was being communicated clearly in black and white that Tom wasn’t wearing any pants. Maybe I should have left it in black in white. The thought of Tom naked makes me want to rip out my eyes and bury them. What does that say when the character is based on me? I’ve got to LIVE with this body!
In case you’re wondering exactly why Tom would not be wearing any pants, please refer to this image of Puss in Boots from the forthcoming Shrek the Third. As you’ll see, he continues the long tradition of anthropomorphic characters who stubbornly do not wear trousers. You can thank Donald Duck and Porky Pig before you, Puss. Welcome to the club.
At any rate, if you’re going to wear an AUTHENTIC Puss in Boots costume, prepare to go pantsless. That’s COMMITMENT, people!
You know, now that I kind of study the picture a little bit, he seems pretty happy about the no-pants situation. It must be very liberating.
I don’t have much more for you this evening. Cami has been sick this week, so I’ve been on full-time Henry duty in the evenings. This, coupled with the fact that we’re getting up earlier to take Henry to day care in the mornings has left me pretty much wiped out. Sorry, but it’s starting to catch up with me. I need to get some sleep.
Have a great weekend, everyone!
I’ve said it before and I’ll say it again – I think Bill Nighy’s performance as Davy Jones is probably one of the most indellible character creations in the last 10 years. By far one of the most interesting screen villians we’ve had in a long time. Part of that is due to the arresting visual design, but my affinity is moreso for Nighy’s brilliant vocal affectations and tics. He makes Jones menacing but unique and it’s a treat to watch him cut loose.
Although I’m aware that the movie suffers an “everything AND the kitchen sink” mentality, Nighy and Jones is the big reason I’m excited about Pirates of the Caribbean: At World’s End. Early reviews are split down the middle. Most critics complaining about the film’s wanderlust and overall length. It’s not as though these complaints will keep people from the theater. Personally, I’m not paying much attention to it. The complaint that a movie is “too long” has never made sense to me. Anyone who has watched a movie before 1950 knows most of them were 2 and a half hours plus. Producers wanted to give you your money’s worth. Now that ticket prices are upwards of $10.00, why wouldn’t you want more entertainment for your dollar.
I mean, I understand if you think a movie blows, being forced to sit there for an extended period is no fun. But believe it – SOMEONE out there is going to be really into it and appreciate the greater length. The only movie I can think of where they should have dropped the curtain early was A.I.: Artificial Intelligence. The minute you think the movie is over, walk out of the room. Seriously. You’ll thank me for it. That version is a MUCH better film.
But I digress. Big blockbusters that are all about the visuals? If you’re complaining it’s too long, your atttention span is too short. I think we all know that Spider-Man 3 didn’t make it on my all-time favorites list. But it was also an exceptionally long movie and it didn’t bother me. My complaints were about characterization and my close affinity for the characters. But the visuals never dissapointed. This will likely be the mentality I carry into At World’s End and I think it’s a prudent one.
Do you guys like today’s sketch? It’s kind of a departure for me. I found a great reference photo to work from and actually kind of surprised myself with this one. It was one of those times where you just kind of nestle into the pocket and you don’t want to stop drawing because you’re afraid you’ll ruin it if you come back to it later. That’s a good feeling.
Not much news to report. The site is still suffering a bit from all the Threadless controversy. I’ve been monitoring the referral links and the places people are coming to the site from are more far flung than I originally imagined. I think it’s great! Welcome everyone! Things will probably be back to normal in a week or so.
All this t-shirt hullaballo has really gotten me thinking about new t-shirt designs. I’ve had a bunch of ideas for a while, but can’t seem to get motivated about any of them. I think I had a mental barrier because I kind of had my sights on producing the Theater Hopper Year: Three book. I think I’m taking that off the table for now. I jumped through a lot of hoops to get Year One and Year Two off the ground last summer. I think I’m going to take a break from that and concentrate on t-shirt designs. I think if I can zero in on a few good ideas, it might actually help my push the remaining copies of the books that I have – which is probably a greater priority than taking up more real estate in my closet with a new book.
I have an idea for a Spider-Man 3 shirt that I don’t think will get me in trouble with any copyright infringement. If I’m lucky, it won’t piss off the fans of the movie, either. It’s a little sarcastic, but it comes from a good place. The reference is obscure enough, I think people will get a kick out of it. Anyway, hopefully I’ll be able to take advantage of the holiday weekend and have some new designs for you on Monday. Fingers crossed!
Hey, why don’t you leave some feedback on the comments page. With all the site outtages, I feel like I haven’t had a chance to talk to any of you guys!
Have a great weekend!
C’mon, guys. You’ve all done it. Grabbed a beach ball at the lake, a basketball from the court and stuff it under your shirt. “Oh, I’m pregnant! Ha, ha, ha!” Ladies, don’t ask us why we think this is funny. It just is.
Unfortunately, the older I get, the less I need to rely on props to complete the distended belly effect. My good friend beer has accomplished that for me. Me ‘n the gut? We go places. Thanks, beer!
I was having trouble thinking up a sketch for Knocked Up and was even contemplating drawing something completely unrelated to the movie for more of an artistic exercise. But then it seemed as if real-life events surrounding me were steering me toward some kind of commentary about the movie and the miracle of childbirth.
I just got the e-mail today that one of my good friends since high school welcomed his second child to the world on Wednesday. A boy they named Emmett. He already has a 2 year-old daughter. I’ve known this guy since Doom II was a big deal and he spent nights locked up in his room with the lights off and the volume to eleven scaring the crap out of himself. Now he’s a father of two. Wild. Congrats to him, of course.
I don’t know if it’s my news to share, but real-life Jared has been kind of locked out of commenting on the site since we switched our archive format. Otherwise, I’m sure he’d tell you himself. But the good news is that my best friend Jared and his wife Patti are expecting their first child in late July. This has me really excited because we can kind of go through this whole fatherhood thing together. I have so few male friends who have kids and it’s nice to have someone else wrestling with the transition that you can bounce ideas off of. It would be a real trip if our kids could grow up to be friends, as well.
Another co-worker of mine is due in October. Her first child, as well. That’s the thing, people. You grow up and it seems like everyone starts to experience these watershed moments around the same time. For a while, it seems like you’re going to wedding after wedding after wedding. Then it’s a dry spell for a few years and suddenly you find yourself buying onesies and teething rings for everyone in your social circle all at the same time. We should have just gone to Costco and stocked up on baby gifts that we could pull out of a giant Tupperware considering all the baby showers we’ve been to.
Someone else I know who recently had a baby is my web comic contemporary Dave Buist. He had a baby girl earlier in the month. If you recognize Dave’s name, it’s because he does the excellent comic Taking the Bi-Pass and because he has been an invaluable asset to Theater Hopper. He is the architect of the aforementioned archiving system and is an all around great guy to boot.
I probably would have shared Dave’s news when it was more timely, but since the stars are all aligning on the child-birth front, it’s just as good that I share it now. Share it… like it’s my news. I’m misspeaking. I want to extend my congratulations to Dave his wife and daughter. I’m giving Dave a (long overdue) guest strip that he’ll be running on his site next week, so stay tuned for that. I’ll mention it again in this space soon.
Anyway, I don’t know what any of this has to do with the movie Knocked Up. I guess I went off on some kind of wild tangent. But anywho… the movie has been getting really good reviews. Even though her comments made no sense, Entertainment Weekly’s Lisa Schwarzbaum gave the movie an “A”. The remainder of the critics reviews have been just as strong. A 91% positive ranking over at Rotten Tomatoes as of this writing. I think my theory about people being thirst for a down-to-Earth comedy really hits the mark. People are ready to step outside the fantasy environments laid down by the last three summer blockbusters that have been dominating screens. They want to get a little closer to reality. At least for one weekend.
Jeffery Wells from Hollywood Elsewhere wrote a review of Knocked Up a few weeks ago and liked it. But I kind of winced in a recent post where he referenced the review and mentioned that Seth Rogen‘s star-making turn casts him as the John Belushi of this generation.
I have no idea why critics do this. I think it’s fair to contextualize things in terms of what came before them, but Wells is a critic in his late 40’s, so Belushi was someone that spoke directly to HIS generation. You would never catch a review that was say… MY AGE or younger comparing Rogen to Belushi. And maybe that’s because that due to the fact I’m younger, Belushi doesn’t speak directly to my sensibilities. I’m AWARE of Belushi. I LIKE Belushi. But I really don’t see the comparison to Rogen beyond the fact that they both have obvious charm and, yes, they are/were both a little rotund.
Wells comparing Rogen to Belushi would be like my grandfather claiming that Rogen is the Fatty Arbuckle of this generation! It’s a lazy, short-hand reference.
But I digress. His review of the movie is complimentary, if somewhat stand-offish (Wells will never admit to having a good time in a film meant to appeal to the masses) and I think the movie is going to do really well this weekend.
Of course, considering I’m a guy zeroing in on 30, a recent father and re-assessing the direction my life is headed, I’m, like, The Perfect Storm of demographic touch points for the movie. I don’t want to ratchet up my expectations too high, but I’m expecting this film to kind of make me feel better about the uncertainty angle of being a father. In the back of my head, I know things with Henry will be fine. But since I’m a parent now, “worry” is my default setting and it’s all the more raw since I’m so new to it. A little bit of humor, I think, will take the edge off.
That’s enough ranting. Don’t forget that there is a pre-sale of our newest shirt design Movie Law #948 until June 13.
Thanks and have a great weekend!
I had some trouble coming up with today’s sketch. I knew I wanted to do something for Ocean’s 13, but I didn’t know what that was supposed to be. It’s kind of hard to convey glamorous or 21st century masculine charms. But y’know… I tried.
I tried to put something in the background. Maybe like the Luxor pyramid with the light coming out of the top? But then I couldn’t remember what the rest of the Las Vegas strip looked like and it started to get too complicated. Figuring since it was a sketch, I decided to let sleeping dogs lie. I think the Vegas sign turned out pretty good, though!
I don’t have much to say about Ocean’s 13 beyond what I shared in Wednesday’s blog except that I’m surprised by the generally positive reviews on this one. I think this is an example where audiences and critics are going to be in sync just like they were for Knocked Up – which is a welcome treat.
Critics had their fun beating up on Ocean’s 12 – and some of it was deserved. But I don’t think the movie was done poorly enough to keep people away from the third installment. I think this movie will end up doing fine this weekend.
Since I don’t have a lot to say about the movies coming out this weekend, I wanted to draw your attention to a couple of UPCOMING movies.
First of all, I wanted to share with you a press release sent to me from MySpace and Paramount Vantage. They have an online casting call going on right now for a movie called How She Move and they’ll be picking three winners to fly to Toronto to be a part of the movie’s final scene. Apparently all you have to do is submit a photo? The movie is about “a high school student who is forced to leave her private school to return to her old, crime-filled neighborhood. There she re-kindles her passion for step dancing. When she enters an international step competition in hopes of changing her destiny, she learns that winning may come at a price.”
If that sounds like something you’re interested in, you can enter the contest here.
The second thing I’d like to point your attention to is the trailer to the new Don Cheadle movie Talk To Me. I saw a preview of this on IFC last night and it instantly caught my attention. It’s the true-life story about “Petey” Greene Jr. – an ex-con who becomes an on-air radio personality and civil rights activist in 1960’s Washington D.C. He was kind of a “shock jock” before people knew what that was.
At any rate, the movie comes out July 13. Check out the trailer and judge for yourself. I’m serving it up in a few different formats:
Talk To Me trailer – QuickTime – Low
Talk To Me trailer – Windows Media – High
Talk To Me trailer – Windows Media – Low
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That’s about it for me. If I pick up anything news-worthy to share, I’ll let you know!