Posts Tagged ‘Role Models’
2 items.
My apologies if the artwork in today’s comic is somewhat lacking. I was a bit distracted last night. Y’know… watching history.
The way Tom looks in the first panel is a pretty accurate representation of how I feel this morning. I was pretty much glued to coverage all last night and it was exhausting. If I don’t see another hologram of will.i.am from The Black Eyed Peas, it’ll be too soon. Good work, relevant journalism!
I knew that today’s comic had to address this historic election in some way, but I was cautious not to have it lean one way or the other. That’s why Tom has his priorities straight. He’s more concerned with the new movies coming out this weekend!
Incidentally, it’s a tough decision. On the one hand, Madacascar 2 is soft on terror. But Role Models made a poor decision with it’s choice of running mate, Sean Williams Scott.
I kid, I kid…
Truth be told, I’ll probably see Role Models this weekend, but the trailers don’t look encouraging to me. I like Sean Williams Scott as an actor. You can tell he’s working hard and he does what he can. But the dude is a bad script magnet. I’ll be seeing this movie for one reason and one reason only – to nurture my man-crush on Paul Rudd.
Recently, though, I learned that Role Models was directed and partially written by David Wain. If you don’t recognize his name, you should. I know I’ve talked about MTV’s The State before and he was a member of that groundbreaking comedy group. Need another clue? He wrote and directed Wet, Hot American Summer. So there you go.
The only downside? The film has 5 other people credited with the script and typically script-by-committee movies are never good. Especially with comedies. Too many cooks spoil the broth.
Not much else to talk about today, but I thought you guys might get a kick out of another completed sketch for the Donation Drive:
Today’s sketch was for a fan who mistakenly requested “a picture of the cast sitting around the coffee house with the usual funny signs in the background.” She had accidentally confused Theater Hopper with Questionable Content! Hey, I’m not complaining! I’ll take that comparison ANY day.
It was a slip of the tongue on her part and when I asked her about it, she admitted the gaffe and told me to draw whatever I wanted. I decided to have a little fun with it and do a sketch with Marten from QC and Tom just hanging out. I don’t draw other artist’s characters nearly enough. It was a fun little exercise. I should get off my can and draw more guest strips…
At any rate, that sketch will be dropped in the mail soon. I’m steadily gaining traction on completing more and more original art. I should have all of the sketch card requests completed soon. After that, I’ll be moving up to the 8 x 10" large scale drawings. Keep your eyes peeled for more in the future.
Have a great day, everyone!
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I don’t really have a problem with L.A.R.P.ing. I remember when I heard about it a few years ago, though. I think it was on MTV, of all places. That True Life documentary series they have? Yeah, on there.
I thought it was kind of weird at that time. But, in truth, it’s really no more or less weird than any other hobby. It’s dress-up and make-believe. When you’re a kid you do it all the time. But I guess you reach a certain age and that’s no longer “socially acceptable?” I don’t get it.
I mean, if you participate in a Renaissance Festival, than that’s okay. And if you’re a Civil War re-enactor, that’s okay… But L.A.R.Ping? How uncool!
Please. Hypocrisy, anyone?
I have to admit, however, that I was surprised by just how much L.A.R.P.ing was built into the storyline of Role Models. As you’ve probably gathered from the trailer, Christopher Mintz-Plasse plays Auggie Farks and L.A.R.P.ing is his main pursuit. I thought it was just supposed to be an odd character trait. I wasn’t expecting the whole third act to center around a L.A.R.P. event or to bear witness to several choreographed battle sequences. Toss in a handful of references to KISS and you have on of the most idiosyncratic comedies ever to slip into theaters under the guise of a by-the-book Hollywood laugher.
Seriously. It’s like the writers of the movie read from a list of disparate topics and asked themselves “Which of these can we tie together and still make them funny?” It feels like a improv exercise that grew legs and turned into a big-budget studio comedy. In other words, it shouldn’t have worked, but it totally did.
A lot of the credit goes to the film’s performances. Paul Rudd plays Danny, a misanthropic, borderline clinically depressed pitchman for an energy drink company. Danny’s in a rut. 35 and thinking that he should have accomplished more with his life. After an impuslive marriage proposal to his girlfriend (2008 MVP Elizabeth Banks) that rings false, she breaks up with him, moves out and Danny ends up on a self-destructive jag that causes him to lose his job and lands him in an after school program doing community service as part of a plea deal to keep him out of prison.
Rudd plays Danny with a level of defeated exhaustion, he can barely muster the bile to raise a sneer. You can see why his girlfriend would dump him. He picks fights with everyone and is generally draining to be around. Rudd does a great job of thoroughly inhabiting a very unlikeable character.
But we shouldn’t forget his partner in crime Wheeler, played by Sean Williams Scott. Wheeler is Danny’s co-worker and ends up in the same after-school program as an accessory to Danny’s outburst. Scott is very winning as Wheeler, playing him as a little thick but casual and worry-free. I like Scott, but he needs to give up on this idea of being an action hero. Between Bulletproof Monk, The Rundown and The Dukes of Hazzard, he’s much better off playing to his strengths and letting his natural charisma do the work for him.
The supporting performances in the film are good, but threaten to overshadow things a little bit. A lot of focus is placed on Christopher Mintz-Plasse’s character and that’s fine, but this kid is headed dangerously toward Anthony Michael Hall territoriy if he keeps it up with all the socially inept nerd roles. I guess he has a sense of humor about it, but perception is reality. It won’t be long before this is the only kind of role audiences will accept him in.
Bobb’e J. Thompson plays the foul-mouthed and breast-obsessed Ronnie and performs the role ably. I just wish it wasn’t such a cliche – the smart alex black kid. It’s kind of funny that he continually insults Rudd’s character by referencing Ben Affleck movies, but otherwise, it’s all shock-value and that wears thin fast.
Another supporting performance I enjoyed at first, but got tired of quickly was Jane Lynch as an ego-centric former addict and the director of the after-school program Rudd and Scott’s characters have been court-ordered to attend. Normally I look forward to Lynch’s performances. She was devistatingly effective as the store manager in The 40 Year-Old Virgin and you get the sense they were trying to do the same thing here, but they overuse her.
But these are small complaints. Role Models is a very effective comedy. Really more effective than it has any right to be. Several laugh out loud moments and an ending the gets sillier and sillier without ever coming off the rails. I had a good time with this one.
For more discussion about Role Models, be sure to tune into The Triple Feature, recording live tonight at 9PM CST at TalkShoe.com. In addition to Role Models, we’ll be covering JCVD, Synecdoche, New York and Soul Men. If you have a question for the group before the show starts, send it to us at group@thetriplefeature.com and we’ll answer it during the show! I’m really looking forward to tonight’s show. I think it’s going to be a good one. So be sure to tune in live!
See you there!
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