I don’t have a lot to say in today’s blog other than it’s been one hell of a week and I’m glad it’s almost over.
I’m not planning on seeing any of this week’s new releases. Despite my never-ending admiration for all things Rollins, I actually WON’T be seeing Bad Boys II.
I have pretty strong opinion about Michael Bay movies. While you can’t deny they man has a keen visual sense, each one of his films pitches to the lowest common denominator. I won’t support that with my movie-going dollar. I doubt I could even enjoy it on an ironic level.
And besides, like I said, this week has been hell. I could stand for a more quiet, introspective affair. I need to see if Whale Rider is playing at any of the local art houses. I’ve heard good things.
I was surprised at the amount of positive mail I received regarding my Rollins affliction. Apparently there are a lot of other people out there suffering in the same way. It’s good to know I’m not alone. 😉
Real quick: You might notice that the number of posters are dwindling. Slowly, but surely my stock of posters is ebbing away. You really need to put your order in now. Do it before it’s too late – cuz once they’re gone, they’re gone.
As always, if you want to pay by check, cash or money order, fire off an e-mail to theaterhopper@hotmail.com and I’ll tell you where to send your payment by snail mail.
I’ll cap the blog here for now, but maybe Jared will log in with more anecdotes about his new house. I enjoy our small exchanges about the commonwealth status of states on the Eastern seaboard, don’t you?
JARED STILL HATES ALL THINGS AFFLECK
December 29th, 2003 | by Tom(9 votes, average: 8.89 out of 10)
Sometimes it’s fun to reference past works…
I have nothing against Affleck’s new movie Paycheck (although I do believe that John Woo is slipping since he started making movies for American studios), I just needed an easy target to make fun of on a Monday.
Still screwy from the holidays. It’s been difficult getting back into a routine. But I’m going back to work on Monday, so maybe I get in the swing of things again.
Actually, that’s pretty optimistic. I know it’s not the case. Come this Wednesday, I’ll be taking another short holiday to New York City for New Year’s Eve. Oh, yeah. Cami and I are gonna do the whole Times Square thing, too. It’ll be fun.
That being the case, anyone who is interested in submitting guest strips for this Wednesday and Friday is more than welcome to do so. I’d like to give you guys a reason to keep checking the site while I’m away. If you’d like to do a guest strip, send it to me at theaterhopper@hotmail.com.
As excited as I am to be in New York on New Year’s Eve, I have to admit the recent terrorism warnings have me a little worried. All it takes it one ticked off fundamentalist with an agenda to ruin everyone elses’ good time. But I’m not going to cancel a trip I’ve been planning since August on the off chance that something horrible and disfiguring could happen.
Frankly, I think a terrorist would have to be pretty stupid to try anything in a post 9/11 America. We’re all looking for our chance to ram one up the collective kiesters of these terrorists and break it off. Try anything on a plane these days and they’ll ship you home in a ZipLoc.
Well, anyway. I’ll change the subject. This kind of dour discussion isn’t what you come to the site for. How about a little good news?
I guess people in the forums are saying they can detect a new style in my artwork? I’m not really noticing it, but Cami swears she’s seen a leap in the past few strips. By the way, did you know we have exactly 99 members in the forum as of this writing? Wouldn’t it be cool if you registered and were the 100 member? Think about it…
One other item of interest; My parents are celebrating their 30th wedding anniversary today. So, in the off chance they’re reading, HAPPY ANNIVERSARY, MOM AND DAD!
I’d give you their e-mail addresses so you could wish them well, but frankly, I don’t want to freak them out!
Bonus points to Ali Graham for delivering a rockin’ guest strip. Any comic that has fun with Jared’s well-document hatred of all things related to Ben Affleck warms my heart. The good lad has been paying attention to the comic!
Unless you live under a rock that doesn’t get the internet, Ali is the fevered mind behind the web comic HOUSD. Ali has been consistently knocking out great work since March of 2003 and has a jaw-dropping 750+ comics in his archive.
Ali’s really upped his profile lately, churning out not one, but TWO great guest strips for my friend Zach over at Joe and Monkey back to back! So I feel pretty honored that Ali could squeeze me in! 😉
Thanks again, Ali!
I like the idea for today’s comic, but I’m not really happy with the execution (if you’ll pardon the pun). I dunno. I felt Wednesday’s comic was probably one of the better ones I’ve produced in a while. Doing the follow up is kind of like a reverse adrenaline high.
It’s 2006 and I feel a distinct need to improve the level of my artwork this year. I think I’ve gotten to the point where I can at least draw the characters and maintain a consistent look. My backgrounds still need a lot of help. Detail stuff is still kind of hard for me. But I think the major goal I want to accomplish is to learn how to color and shade better. Flesh things out a little bit more.
I think if you look at the work Joe is doing with Joe Love Crappy Movies or troll through the archives of Butternut Squash, their stuff really jumps off the page and I can’t figure out how they do it! Heck, even when Kurtz does color over at PvP, it looks sharp.
It’s like watching some dude on a souped up motorcycle launch himself off a dirt ramp. They make it look so easy when they glide through the air, but you know they had to take a lot of spills before they learned how to stick that landing.
I don’t know why I’m using motorcross analagies, but therer you have it.
Does anyone out there know about any online resources for comic coloring and shading? Any tutorials or walkthroughs? I’d be very interested to read them to learn some new techniques. E-mail me if you have any suggestions.
Much to no one’s surprise, Cami and I will NOT be seeing Hostel this weekend. Gore and torture for the sake of it? Not interested. I don’t care if Quentin Tarantino’s name is attached to it… as what? Producer? I know they’re billing it as "Quentin Tarantino Presents…"
I’m trying to understand why there has been this shift in horror movies where people are being tortured for prolonged periods of time. Used to be movie-sickos would straight up murder you (albeit in creative ways) and move on to the next nubile young thing to slaughter. Nowadays they’ll clip of your middle toe with bolt cutters and scoop out your eye with a mellon baller first. To what end? To show we’re not in control? To push the boundries of taste?
I don’t mean to position myself as some kind of elitist, but horror is a genre that I never understood. Despite the abundance of violence in mainstream American entertainment (action movies for the most part) the horror genre unto itself seems to make this it’s sole focus. In a world where real life horror surrounds us every day, it seems pointless to me to accentuate it in art. It seems redundant. The only way to make it interesting is to go so far over the top – the levels of mayhem being beyond anything you can imagine – it almost becomes a parody of death. What’s the point?
At least with the slasher flicks of the 80’s there was this kind of supernatural boogeyman element that you could tap into. A sort of background narative that begged you to ask "Who is this guy with the knife-tipped glove? Why is he so horribly burned? How is he able to kill kids through their dreams?" I could understand getting wrapped up in the novelty of that.
But some Slovakian dude that wears a bondage mask and likes to slice off fingertips? That’s just cruel and sadistic for the sake of it.