No comic for Monday but (hopefully) you can expect one tomorrow. Where did the site go this weekend? Well, that’s a long story which I will also save for tomorrow.
In the meantime, the THorum will be disabled while I try to make order of the house. It’s nothing serious, so don’t panic. All will be revealed in time.
Thanks for your patience.
Can you imagine if the whole world had its contrast thrown out of whack Sin City style? I bet people would be walking around with screaming migraine headaches, that’s for sure.
With the thought of Robert Rodriguez’s Sin City hitting shelves on Tuesday with its release on DVD, I decided to revisit a little visual trick that seemed to impress some people back in May.
It’s not as effective this time around, I realize that. It’s visual paraphrasing at best. I didn’t have time to sit down and do the prep work like I did for the earlier comics. Actually, I just got back from Kansas City after going South to see Rufus Wainright and Ben Folds in concert. The concert was delayed an hour due to the weather and we ended up getting rained on anyway, but it was totally worth it. I have a bunch of pictures from the show that I’ll have to share sometime later.
Apologies for the short blog. I’m just out of words for the moment.
While I was doing today’s comic I kept thinking about how cool it would be if I could make a little stop-motion animated film for real and post it on the site.
Then I realized I don’t have a camera that I can use to capture images one frame at a time or a program to string them altogether. Hell, I don’t even have clay!
But here’s the next best thing. I think you guys will get a little kick out of it.
I actually think Wallace & Gromit: The Curse of the Were-Rabbit looks really good and I’m kind of amped to see it this weekend. I don’t know where we’re going to squeeze it in between In Her Shoes and Waiting…, but I’ve really enjoyed the previous Wallace & Grommit adventures (Academy Award winning adventures, I might add!) I also really liked Chicken Run when that came out a few years ago. Really anything that Aardman Studios puts out has just this wonderful spirit to it that just tickles me. Maybe because it’s a British important and this kind of thing just seems so… I dunno – quaint in their hands.
I don’t have a lot of insight about the film other than I’m sure it will be an impressive technical accomplishment and I’ve pretty much convinced myself that I’ll have a great time sight unseen.
Still messing around with the site layout in the aftermath of the Dayfree-to-Boxcar switcheroo (which is getting all kinds of press in our circles, much to my surprise). You’ll see the mailing list form is kind of competing with the Webcomics List information. If you guys have any design suggestions, I’m all ears. Just thought I would let you know I’m in a receptive mood.
That’s it for now. Happy Wednesday!
Before you start sending me e-mails, yes, I know I screwed up the last panel in today’s comic. Everything looks right at 1:00 in the morning. I’ll fix it when I get home tonight.
Here’s hoping that everyone had a safe and happy new year celebration. If you’re reading this, I have to assume that’s the case.
Our New Year’s celebration was decidedly white, suburban and boring. Cami and I took Henry to Applebee’s at about 5:00 at night for dinner. We came home, put him to bed and watched a rerun of Saturday Night Live in the ’90’s on NBC until 9:00 PM. Henry is teething again and was up crying the night before, so Cami was exhausted and went to bed around 9:30. I stayed up because I felt I should, but only lasted until about 11:00 before I went to bed. Oh, well. At least we were together when the clock struck midnight.
That sounds bad. It sounds like we had a boring New Year’s because of Henry. That’s not true. We had an awesome New Year’s. I guess I just called it “boring” because to an outsider, that’s probably what it looks like. Truthfully, I probably wouldn’t have done anything different even if we didn’t have Henry. I went to see the ball drop in Times Square when 2003 rolled over into 2004. Since then, I haven’t really cared about celebrating the occasion.
Once you’ve partied with EVERYBODY, you don’t want to party with ANYBODY.
As you know, I live in Iowa and tomorrow is the big caucus. Cami and I have both decided to caucus for Barack Obama. It’ll be our first time caucusing, but we felt it was too important to pass up. I vote in every election, but I’ve been more proactive this time around. I’m tired of sitting on my ass assuming things are going to shake out the way I hope they will.
Odd that we would get a babysitter so we could sit in a church and argue with people about politics on a Thursday night, but not get a babysitter so we could go out and ring in the new year. But something tells me this caucus is a little more important.
We actually went to an Obama rally here in Des Moines yesterday. We took Henry and he behaved great. I felt like I was doing something good for him. It was a good time.
I know none of this has anything to do with the comic or with movies, but now that the new year has begun, prestige pictures have all evaporated from the landscape. There’s certainly some catching up I have to do in terms of what I’ve seen and what I haven’t. But if the goal here is to be timely, I’m not going to talk about Atonement, three weeks past it’s release date in favor of uncovering the intricacies of the cell phone horror movie One Last Call.
A couple of guys that NEVER miss a movie are my good friends Gordon McAplin from Multiplex and Joe Dunn from Joe Loves Crappy Movies. After taking the holiday week off, the three of us are getting back together tonight for a live broadcast of The Triple Feature talkcast at Talkshoe, 9:00 PM CST. Tonight we’ll be talking about all the great holiday movies we’ve seen. So set your alarm and be sure to join us tonight at 9:00 PM CST! See you there!
Continuing my exploration of all things Up, today’s sketch is of Russell, of the Wilderness Adventurers. My version of Russ seems a little more awkward than what’s presented in the movie (if that’s possible). Consider this a version of Russell that’s maybe a few years older than his on-screen counterpart. I tried to stay loose with the sketch, but didn’t quite get the proportions right. To see the sketch, vote for Theater Hopper at Top Web Comics.
Incidentally, Theater Hopper has been slipping down the list a little bit over at Top Web Comics and I’m wondering if it has any relation to the kind of sketches I’m doing.
In the past, I would draw sketches that were a continuation of the joke in the comic. Lately, I’ve been drawing more stand-alone pieces. Renderings of characters from movies. Is this a factor in your voting? Let me know in the comments below and be mindful of Monday, June 1 when the Top Web Comics counter resets. If we can get in the Top 10 early on, there’s a greater likelihood we can stay there! I’m going to need everyone’s help, so I’m putting the idea in your heads now.
As you know, both Up and Drag Me To Hell come out today. During Monday’s recording of The Triple Feature, Joe pointed out that the family-friendly film in competition with director Sam Raimi’s return to horror was great counter programming.
I felt like I was onto something when I commented that not only were the two movies at the opposite ends of the spectrum in terms of their content, but also in terms of the geography they explored. Up floating among the clouds and Drag Me To Hell lurking in the depths of the Underworld.
I shared my observation to Cami and she said it was “quite profound.” She may have been humoring me, but it was enough for me to try and figure out a way I could work it into the comic.
As for the answer to Tom’s quandary in today’s comic, I don’t think it would surprise anyone that I’m more interested in seeing Up. Cami and I are seeing it tonight. But my interest has been piqued by the strong reviews Drag Me To Hell has been getting. I guess Joe from Joe Loves Crappy Movies saw an early screening of it and was over the moon about it. Critical response has been strong, too. 95% positive at Rotten Tomatoes. I guess Raimi still has the old horror touch!
I’m not a big fan of horror, but I respect Raimi a great deal. It goes without saying how awesome the Evil Dead trilogy is. But those films have a low-tech charm. I don’t know if I could stomach full-blown Raimi sitting in the middle of a booming surround-sound theater.
One thing Raimi is particularly adept at are “loud noises” scares – frightening reveals you can see a mile away, but punctuated by piercing musical shrieks. I HATE those kinds of scares. I do better with movies that employ this tactic when I’m at home and can control the volume.
I’m very curious to know what Raimi has up his sleeve, but I think this one is going to have to be a rental for me. I’m too much of a weenie otherwise.
What about you guys? Are you feeling up to the challenge of seeing Drag Me To Hell in a gigantic booming theater without peeing your pants? Or are you like me and going to chillax with Pixar and Up for two hours instead?
Leave your comments below!