If you’ve ever been on the… y’know internet you’ve probably come across the subject matter of today’s strip in a piece of junk e-mail or on a humor site.
This being a week with very little for me to make fun of, I decided to capitolize on the awesome logic of these cinematic observations and translate them into toon form. They’ve been around so long, it’s almost like they’re part of the public domain. But hats off to whomever came up with them first.
I’d kind of like to make this a regular feature, but that depends on how well it’s received by you. If you concerned I’m abandoning original material, don’t worry. I have a fresh joke on deck in time to roast Dumb and Dumberer on Friday.
With that in the open, it leaves me with little else to talk about. Well, scractch that. Hollywood Homicide is coming out this week. Cami really wants to see it, and I do to (mostly for the Han Solo factor), but I’ve heard bad things about the flick. I guess initally, it was written as a comedy – and we know comedy is not one of Harrison Ford’s strong suits.
But I guess after some horrible test screenings, they changed the tone of the movie to more of a gritty L.A. cop drama. Ebert & Ropert liked it, whatever that is worth. So I guess my curiosity will win out this weekend and we’ll go see it.
I want to give a quick shout out to Brian Carroll over at Instant Classic who (as of this posting) has rocketed to #12 on the TWC. He’s totally deserving and I wouldn’t be surprised if he replaces us at #11 before the month is up. He has a damn fine comic. If you haven’t checked it out already, please do so… now!
Here’s a question for you guys.
I’ve been doing this comic three years, right? Why in all that time has no one representing a movie studio or some kind of marketing group for film ever contacted me?
Look at these sites. See all those ads floating around? I’d be happy to run something like that on my site. Indie flick or big-budget blockbuster, I don’t care. It’s entirely relevant to what this audience is interested in and I think they would score some nice traffic from it. How do these other sites get the hook-up? Is it all in who you know? Do the studios approach them? Well, nuts to the waiting game, I’m bringing it straight to you.
I understand if you haven’t considered advertising with a web comic before. You stick to what you know. Advertise within your own industry. It’s smart. Hey, I totally understand. Most of us web comic guys only advertise with other web comics! But I’m telling you – if you want to diversify the audience that you reach, tap into the web comics genre. I know my audience. They are a motivated and dedicated bunch. If your movie looks good, they’re going to see it. Look at Penny Arcade or PvP. When was the last time you saw these guys advertising other web comics? They advertise for the gaming industry and things are coming up roses!
My prices can’t be beat, guys. These are the rates that I’ve been giving to everyone else. I’ll give the same deal to you.
If you represent a studio, some kind of movie-related web site or even just know a guy who knows a guy that can put me in touch with someone in movie-making circles – drop me a line so we can discuss some advertising possibilities. What I have going on to the right of the comic isn’t a permanent method of ad delivery. In other words, you don’t have to cram it into that tiny area. We could run an ad down the whole length of the comic. I can adjust things. You ad will stay above the fold and that space right next to the comic is prime real estate.
I don’t know if being so blunt with this request will actually yeild any results. But I figure after three years, it’s high-time I put the concept out into the universe. CONTACT ME!
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I had a difficult time writing today’s comic because the joke is kind of crass and I kept trying to censor myself as I was constructing it. That’s a lose-lose situation every time. So I decided to just kind of go for it.
I prefer to think of Theater Hopper is a family friendly comic. But sometimes, you just have to throw caution to the wind.
I don’t know if this joke is particularly funny, but an imaginary sexual euphemism was the first thing that came to mind when I was thinking about How To Train Your Dragon.
I actually got a chance to see the movie on Saturday and I’m surprised how much I liked. Or, rather, I’m surprised how much my enjoyment of the film mirrored critical and fan response leading up to the release.
In the few days before Friday and on Friday itself, I was seeing all kinds of effusive praise for the film and thought it was almost going over the top. I was skeptical that if the film was the first moderately good film of the year that people were going overboard heaping praise on it just so they would have something to talk about.
Well, it turns out the praise is justified. The movie is spectacular. Even if the film lacks some of the wit and heart of your average Pixar film, Dreamworks was finally able to put the cap on the annoying pop culture references they’ve been making since the first Shrek movie.
And while the film’s story of an outsider who finds acceptance (and his reticent Daddy issues) won’t win points for originality, you never really notice the tropes as you’re watching the film. The plot moves briskly, explains it’s rules succinctly and never treats the audience like idiots. Kind of a tall order for what is otherwise a kids film.
At the insistence of others, I watched How To Train Your Dragon in 3D and I strongly recommend you do, too. The flying scenes alone are a wonder to behold. Talking with my friend Joe Dunn from Joe Loves Crappy Movies, he said “It does for flying sequences what Iron Man did. It’s almost becoming its own genre.” He couldn’t be more right.
Bottom line, the movie looks fantastic. And I’m not talking about the computer animated bells and whistles. I’m talking about the cinematography, the lighting.
It should look good. Directors Dean DeBlois and Chris Sanders hired Roger Deakins to make sure the film looked top notch in this department. You may not know it, but you’ve seen Deakins work before. He performed the same role for Pixar’s Wall-E.
If I could make one complaint about the film, it would have to be the voice casting. Jay Baruchel can sometimes come off a little too nasal and whiny. Kind of like Woody Allen’s grandson snuck into a Viking village.
Similarly out of place are Gerard Butler and Craig Ferguson as tribal leaders. Their thick, Scottish brogue’s on full display in a Scandinavian village. If I were Nordic, I’d be kind of peeved. What? They couldn’t at least cast Stellan SkarsgĂ„rd?
I was also very distracted by the inclusion of America Ferrera, Jonah Hill, Christopher Mintz-Plasse and Kristen Wiig as Baruchel’s friends in “dragon training.” Every time I heard their characters speak, I was distracted by trying to figure out where I had heard their voices before.
Hill’s character in particular, Snotlout, threw me because he looked like he was modeled after Jack Black. I kept expecting the character to break into song and over-enunciate his consonants at any minute.
But these are minor distractions, really. For the one or two things the movie gets wrong, it gets four or five things really, really right.
The dragon referenced in the title – a “Black Fury” Baruchel names Toothless – is an excellent reflection of the animators skill of showing without telling. Toothless does not speak, but we know exactly what he’s thinking throughout the entire course of the movie. His facial expressions flow effortlessly between snarling distrust to wide-eyed playfulness. His body language is equal parts dog, cat and jet-black gila monster.
How To Train Your Dragon does an excellent job of accessing that part of your childhood that fantasizes about dragons all day. The part that doodles them on a sheet of paper when you get distracted. It is an immensely enjoyable film and if you don’t leave the theater wanting a dragon of your own by the end of it, then you must be one of those people who likes unicorns. If that’s the case, then I don’t know how to save you.
If you saw How To Train Your Dragon this weekend, feel free to leave your comments below. Let’s talk about it, shall we?
Normally I’m not a fan of these YouTube supercuts that combine every instance of a character saying “That’s what she said,” or whatever. But this editing job by YouTuber GenRocks is damn-near perfect. It’s basically a clip reel from nearly every movie in 2010 and it does an excellent job of establishing themes and capturing movement from edit to edit. The song choices sprinkled throughout are well done, also.
The video is a little over 6:00 minutes long, but it’s worth your time. In addition to being extraordinarily well-done, GenRocks’s edits also manage to do the impossible – make 2010 look like a worthwhile year in movies.
Enjoy!
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Empire Magazine recently published a very thorough and interesting article called “Your Guide To Disney’s 50 Animated Features.” If you’re a Disney-phile or an animation buff like I am, it’s well worth your time to read. The list includes a few behind-the-scenes production details that help flesh out your understanding of the films.
In particular, I was fascinated to revisit the films from the early 2000’s. Specifically films like Atlantis: The Lost Empire, Treasure Planet, Brother Bear and Home on the Range. I’ve given those films their fair share of guff, but it’s important recognize that they weren’t the flops that some people made them out to be and – perhaps – aren’t as terrible as you remember.
Compiled as a whole, Disney’s cinematic accomplishments are astounding. It’s easy to heap praise on the standouts like Peter Pan or The Lion King. But I am much more interested in how the so-called “lesser” films have been woven into the tapestry of the venrible studio’s history.
Check out the article and chime in with your thoughts about The House of Mouse in the comments below!
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GUEST STRIP – JACKSON FERRELL
July 19th, 2012 | by Tom- Comics »
- Comics »
- Guest Strip
(6 votes, average: 9.83 out of 10)
You know when you say a word over and over again and it starts to lose meaning? I think Jackson Ferrell from Sketch Comedy managed to do that with this guest comic.
There’s actually a subtle brilliance Jackson was able to communicate with this strip. I’m a big fans of comics that can deliver a joke using tone. Trust me, it’s a hell of a lot more difficult that writing a fart joke. But Jackson managed to do it with facial expressions and a few expertly placed pieces of punctuation.
What’s more, is that he pretty much encapsulated the 10-year narrative arc of Theater Hopper in just one comic. No mean feat.
If nothing else, I just love Tom and Jared in the background of panel three yelling “MOVIESMOVIESMOVIESMOVIESMOVIES.” It rips me up.
Be sure to check out Jackson’s comic Sketch Comedy as a reward for his hard work. I think you guys will like what you find there.
Thanks again, Jackson! Loved the comic!