Haven’t seen Charlie in a while, have we? Man, I need to update her hairstyle.
Shrek the Third comes out this weekend and I’m in this weird position where I don’t want to see it… but I kind of do.
I can’t explain myself. I saw both Shrek and Shrek 2 and never really enjoyed them. I find them too arch and winking. In fact, I think Cami and I once rented the first Shrek movie when it first came out on DVD and couldn’t bother to complete it. We were just kind of like “Ehhh… kind of funny the first time. Not in the least bit funny the second time.” I don’t even remember what Shrek 2 was all about.
With their abundance of flatulence jokes, they are most certainly for kids. But the producers work very hard to throw in jokes for adults and, for me, it make for an uneven affar. I’m a bit of an animation purist. I don’t mean to imply that the medium is strictly for children. But if that’s your primary audience, take Gold Five’s advice and “Stay on target!” Too much of the adult stuff and it dilutes things. Part of the reason I got to animated movies is because I like to feel like I’m being transported to a time in my life when things weren’t so damn complicated. I mean, every now an again Pixar will toss in an adult joke in their movies. But I feel they’re typically more organic. The Shrek movies make it feel like a formula = “fart joke x fart joke / sex joke = box office”
This is an entirely subjective reaction, of course. But I believe there are more concrete reasons to hate the Shrek franchise. The over-abundance of marketing tie-in’s for one. I addressed it back when Shrek 2 was in theaters and it’s no less true now. You can’t go to the grocery store without looking at that freckled green ogre’s mug slapped all over the place. What I especially hate are those poorly dubbed commercials on TV right now where Shrek and Donkey are interacting with the M&M guys or buying a Happy Meal at McDonalds and the voices are SO CLEARLY not Mike Meyers and Eddie Murphy.
Look, I know they’re big stars whose vocal “talents” these companys probably can’t afford. But there should be someone at Dreamworks that says “If you’re going to use Shrek characters in your spots, then we recommend these two voice-approximate doubles.” You see these commercials and it’s like they’re not even using the same impersonators. It’s really annoying.
More than anything, I’m annoyed that due to the success of the Shrek franchise, (and this is something Gordon and I talked about in Monday’s Triple Feature talkcast) Mike Meyer hasn’t taken a creative leap in over half a decade. A cursory glance at his listing over at IMDB reflect only two starring roles since the first Shrek hit theaters in 2001 – Austin Powers in Goldmember and The Cat in the Hat. I’ll give him a pass on Goldmember because (even though he was plagiarizing himself in the first two movies) there was some original invention going on there. The less said about The Cat and The Hat, the better. Beyond that, only a few cameo roles unbecoming of one of Hollywood’s highest paid actors.
I completely understand how money has probably insulated Meyers from doing anything out of the box. I can see the appeal of rolling out of bed, doing a few hours of voice over work in a studio, avoiding the makeup chair and the chaos of a full-blown movie set. But speaking as a fan of Meyers ability to insert catchphrases into the lexicon with lazer-like precision, I’m amazed that he’s not taking the opportunity to do something more.
Maybe I shouldn’t be so quick to judge. He could have turned out like Eddie Murphy and starred in crap like The Adventures of Pluto Nash, Daddy Day Care an Norbit post-Shrek. Maybe THAT’S the bigger wasted opportunity!
Despite all of the reasons NOT to see Shrek the Third, I’m morbidly curious to see what it’s like. I didn’t want to see Shrek 2 when it came out, but Antonio Banderas as Puss in Boots made the movie for me. He’s the most memorable thing in it and I still chuck when I think of how he delivered his introduction – “PUSSSSSS!… (in boots!)” Excellent.
To that end, I think I may have been won over by the casting. In one of the movie’s subplots, Cameron Diaz as Fiona leads a band of other princesses to defend the land of Far Far Away and she has Amy Sedaris, Cheri Oteri, Amy Poehler and Mya Rudolph behind her. Throw in John Krasinski from The Office, Seth Rogen from The 40 Year-Old Virigin, Ian McShane from Deadwood and you have my attention. Stunt casting – 60% of the time, it works every time. They’ve done studies, you know!
So what’s your opinion out there in the intertubes? Are you excited for Shrek the Third or do you think it will be more of the same? Have you ordered all your Shrek merchandise yet and will you be wearing it to the theater on Friday/? Are you like me and suckered by high-profile voice casting or do you think it cheapens animation by distracting you from the artisanship of an animator’s craft?
Leave your comments below and I’ll catch up with you!
Today’s comic is based pretty closely to something that actually happened to us about a week ago. Cami and I were cleaning out our basement as part of our great “staycation” and we came across maybe four or five boxes stuffed with old VHS tapes.
“We never watch these,” she said. “We should get rid of them.”
It was hard to argue with her. I don’t even think we have a VCR in the house anymore. I believe we gave it to my sister-in-law for her to use in her classroom.
So instead of listing the individual movies of our collection (or even bothering to list it a as lot) on eBay or craigslist, we decided instead to gather up all the boxes and see what we could get for them at the Half Priced Book Store.
They took over 20 minutes to inventory our collection and, when it was all said and done, laid down the offer on the table: $4.50.
I can’t describe the reaction brewing in me. At first, it was outrage. Because you can’t believe someone else doesn’t place value on something you found so important at one time. Then futility sets in. Because you’re not going to haggle with them. What are they going to give you for the trouble “Oh, okay. I’ll give you $6.00 for it.” Eventually, regret sets in. You can’t believe you spent so much time and money amassing something so worthless. But in the end, you find acceptance. At this point, you just want the damn things out of your house. Nevermind the fact that it’s a dead format. They’ll probably hang onto them for a year before pitching them.
But, yeah… When Cami made the observation that we probably spent more in gas bringing them to the Half Priced Book Store than we did earning any money for their sale, I was a little annoyed. We literally would have made more money (and saved more time) if we had simply dumped them in the trash.
CAPITALISM WORKS!
Not much else to talk about this morning except to remind you to check out The Triple Feature talkcast tonight at 9:00 PM over at TalkShoe.com. Tonight we’ll be talking aboutSwing Vote and The Mummy: Tomb of the Dragon Emperor. Be there!
TALENT IS THE DIFFERENCE BETWEEN PAY GRADES
February 26th, 2010 | by Tom(41 votes, average: 7.88 out of 10)
This comic is many thinks. It is scatological, it re-enforces gender stereotypes and it throws stones at giants.
I mean no disrespect to Kevin Smith. I just couldn’t avoid a good poop joke. I’m sure he understands. After all, he included The Golgothan in Dogma.
I also wasn’t particularly crazy about falling into the trope of the put-upon wife who tolerates the slovenly antics of the layabout husband. But like I said… poop joke.
I DO IT FOR THE COMEDY, PEOPLE!
As for the movie itself, I think it’s kind of weird that Kevin Smith is being billed as the director of Cop Out when he didn’t write it. Like I said in the strip, he’s not exactly known for his dynamic camera work and I think he’d be the first to admit it. As a matter of fact, I’m pretty SURE he’s admitted it on the commentary tracks of several of his movies.
Doesn’t mean the dude can’t grow as an artist. I just don’t think it’s where his strength lies. Personally, I’d love to read a kick-ass script and have him hand it off to… I dunno… Wes Anderson, or something. See what happens.
Actually, I think I would probably rather watch him act in a movie than direct at this point. Maybe it’s just me, but I thought Smith was pretty good in Catch and Release. I’m being serious!
I don’t know what to think of Cop Out. If Smith’s name weren’t attached, I would have absolutely no interest. As someone pointed out to me, Cop Out looks like the kind of movie Tracy Morgan’s character from 30 Rock would do for a quick paycheck. Not a compliment.
Bruce Willis? I have no idea what Bruce Willis is supposed to be doing in this thing other than throw a wink and a nod to his hard-boiled action hero roles from his past. “John McClane is in this?! I gotta see it!” Well, not exactly and… no you don’t.
What do you guys think of Cop Out? It could be fun, but I’m on the fence. I guess, to me, it looks like a fun rental. I’m wondering if anyone out there has been anticipating this movie at all. How much does Kevin Smith’s involvement motivate you to see the film? Do you think he lent more to the production than lens work? Maybe he helped the actors with a few funny ad libs? The mind boggles, so leave your comments below!
In the meantime, I have a fun idea. Let’s all send a link to this comic to Kevin Smith’s Twitter account and see what happens!!
Cheers, y’all.