This isn’t really the first time Tom has consulted religion (or at least his limited understanding of it.) Nor is it his first brush with existentialism. But when it comes to the matter of pop culture, it’s serious business and sometimes you need to look to a higher power.
I’ve personally been reading Entertainment Weekly since 1995 and I can remember the first issue I picked up. I was in Iowa City over the summer attending a two-week art camp at the University of Iowa. I was 17 and still in high school. It was great. We got to sleep in the dorms and we took classes ranging from photography, to oil painting and pottery.
But I digress. I picked up the magazine at the university bookstore and it had Val Kilmer on the cover in full costume for Batman Forever. I devoured the issue. And no, not because of the bat-nipples on the costume. Here was a magazine that was catered very well to my interest in the myriad of pop culture. Not just movies or music but television and books as well. I thought it was written exceptionally well and in a voice that spoke directly to me. 11 years later, I’m still reading it. If I had saved each of those issues, I surely would have become one of those people you read about who was found buried alive under all the garbage in their house that toppled over on them.
At any rate, I didn’t mean for this to be a giant endorsement of Entertainment Weekly. I’m not getting any kickbacks (but if anyone has connections!…) Just kidding. I’m just telling stories.
The pre-sale for the book is still going on. I’m feeling a little better about things. People seem to really like the idea of me signing the book and including a numbered original sketch with their orders. Of course, I would feel better if I could tell you I have all the orders I need and I was sending the artwork to the printer – but were still a ways off from that. So if you’re thinking about pre-ordering a book, do it today!
Also, don’t forget that I still have an open call for guest strips. I have a few people that have expressed interest and are working on things, but so far I don’t have enough to cover me while Cami and I are gone. I’m gonna need about 3 weeks worth of stuff, so if you have anything, send it in! Really the only limitation is to keep the artwork 525 pixels wide. Anything larger breaks the template of the site. But if you want to go longer, I’m okay with that! Black and white or color is okay. Just keep it tasteful (nothing worse than you might see in prime time network television) and I’ll roll with it!
I consulted my Magic Eight Ball and asked it if I see Mission Impossible 3 this weekend. I turned it over and it said "My sources tell me ‘No’." Part of the reason is because we’re having a big party at our house on Saturday to celebrate Cami earning her Master’s degree in Public Administration. A two-year struggle that’s finally come to a close. The other reason is that I’m pretty much over all of the hype and don’t feel like supporting Tom Cruise in any way, shape or form.
I’m not the only one. Tracking figures released Wednesday cite Mission Impossible 3 has 98% general awareness, 43% definite interest and 13% first choice. So, in other words, the marketing is doing it’s job by putting the film out there – but it doesn’t look like the majority of the audience is going to bite. There have been some initial good reviews. Some are calling it the best of the series. That’s good, I suppose. But it makes me wonder if the interest level in this film would be much more positive if people weren’t burnt out on the details of Cruise’s private life.
I like J.J. Abrams. I like Phillip Seymour Hoffman. If I see the movie, it’ll be for their talents. But from what I’ve read, Hoffman isn’t given very much screen time and the film seems to be edited in favor of Cruise. So, essentially, we end up with a movie abou a hero fighting a villian with no screen time. Sounds like cutting of your nose to save face. Which maybe what I’m doing by shunning the talents of those I like over those of one I don’t. But what can I say? I’m petty.
Happy Cinco de Mayo, everyone!
Before we get started today, I want to take a moment to ask everyone a favor. I posted about it on Friday, but this is quick reminder.
I am taking a research class for my Master’s degree and am writing a paper on the value of film criticism to opinion leaders – people like yourselves who enjoy movies and whose friends approach for advice and knowledge on the subject.
I have written a quick, 30 question survey that I am using to support my research and I need a lot of people to fill it out. If the subject matter of my paper doesn’t impress my professor, I’m hoping the amount of data I’ve collected will.
If you have 5 to 10 minutes, please help me out by taking the survey. To sweeten the deal, I’m collecting e-mail addresses at the end of the survey to be entered into a drawing for a free t-shirt and free book. You don’t have to give me your e-mail if you don’t want. It’s completely optional. But I wanted to put that out there to sway anyone that might be on the fence!
I’m closing the survey tonight at midnight, so if you can take it before then, I would appreciate it! For those of you who have already taken the survey, thank you for your help!
Now, onto business.
I freely admit that today’s comic was an excuse to steal one of my favorite jokes from The Simpsons – the episode where Milhouse is cast in the big screen adaptation of his and Bart’s favorite superhero, Radioactive Man. As you recall, in the movie, the character is played by action hero stereotype (and Arnold Schwarzenegger knock-off) Rainier Wolfcastle. It’s Milhouse’s job as his sidekick Fall Out Boy to rescue him from a tidal wave of acid that is headed toward the captured hero. For realism, the director uses REAL ACID and encourages the crew to remember to wear their goggles for protection. Nervous, Rainier wears his goggles, but Milhouse doesn’t show up in time. The wave crashes into Rainer and as he is being carried away, utters the famous line, “My eyes! The goggles do nothing!”
Yup. Nothing like explaining a joke in detail to make it funnier! Maybe I should have just linked to a clip of it.
Like most of the free world, I saw Star Trek this weekend and, like most of the free world, I enjoyed it immensely. The lens flares are a little bit out of hand, though. J.J. Abrams’ use of lens flares is not so egregious that it ruins the movies, but if you were going to complain, it would be the easiest target to shoot for.
Abrams at least admits that their overuse was a bit ridiculous, but he has a good excuse. In an interview with io9.com, Abrams shares that he wanted “…a visual system that felt unique. I know there are certain shots where even I watch and think, ‘Oh that’s ridiculous, that was too many.’ But I love the idea that the future was so bright it couldn’t be contained in the frame.”
So even if the effect is overdone in places, I can certainly respect Abrams for coming into the movie with a specific visual concept in mind and running with it.
As for the movie itself, I was greatly impressed! I loved Zachary Quinto as Spock and I thought Chris Pine as Kirk was good, even though I wished that the script hadn’t made him such a persistent dick throughout the movie. We’re told early on that Kirk’s aptitude is off the charts, that he’s a genius. He doesn’t really act like one. I mean, it’s good to set up the bad boy thing at the start of the movie and I know Kirk’s rebellious nature is what makes him attractive as a character. But as the movie progresses, you almost want him to play by the rules JUST ONCE so things feel a little more justified when he assumes control of the Enterprise.
Eric Bana as the villain Nero felt a little undercooked. Basically, he’s a pissed off and vengeful space-miner who gets his hands on some incredibly destructive technology. There’s nothing regal or militaristic about him. I didn’t get the impression that he was much of a threat intellectually. He just has an advantage because he comes from the future.
It’s kind of like Biff getting his hands on Marty’s Sports Almanac in Back to the Future II. Biff isn’t the sharpest tool in the shed, he just exploits the scenario. You’d think after the last 8 years, I’d be more accepting of the concept of an idiot’s rise to power, but it always feels like a cheat to me.
Aside from introducing Nero as a threat, I thought the use of time travel in this movie was a very clever way to side-step the whole “reboot” scenario. It’s not just new actors with pretty faces slipping on the clothes of beloved characters. Screenwriters Roberto Orci and Alex Kurtzman went so far as to create a completely alternate reality for these characters to operate in. Going forward, I see the opportunity for totally new story lines. They’ve replenished the well and I feel excited about Star Trek again for the first time in a long time.
The crowd I watched the movie with on Friday was amped up and ready for a good time. When the Paramount logo came on screen, people started to clap and cheer. Being from Iowa, there was also a unique sense of hometown pride when the film caught up to Kirk hitting on Uhura and picking fights in a bar near the Riverside Space Port. When the identified “IOWA” as the location on screen, there was a lengthy round of applause.
Hey, give us a break. It’s Iowa. Besides gay marriage and corn, we have very little else to hang our hat on.
I don’t know if I can say much more about Star Trek that hasn’t already been said elsewhere except I’ve been running around the house all weekend talking it up to the point that Cami now thinks she wants to see it. Curiously, my father-in-law kept asking me about the movie went we went to visit Cami’s parents for Mother’s Day. Maybe all three of us could go together? I’ll remember to bring goggles for everyone next time.
By the way, have you guys seen those collectible glasses promoting Star Trek at Burger King? I was thrilled when I saw the commercial for them. Not exclusively because I was excited about the movie, but it seems like ages since a fast food restaurant offered collectible glasses like these. When I was a kid, this was something McDonald’s and Burger King did all the time. I bought one last night basically as a way to communicate that this is a promotion I endorse and I hope that they continue such campaigns in the future.
Of course I got my Spock on…
I’m thinking about going back for the other glasses. Cami said she’d like to have the Uhura glass, but does anyone really want to drink out of a glass with Nero’s face on it?
Before I forget, I drew a picture of Spock for the incentive image over at Top Web Comics. To see it, vote for Theater Hopper and you too can get your Spock on.
And for more Star Trek goodness, be sure to listen to The Triple Feature tonight at 9:00 PM CST where I’m sure the movie will be the topic of choice. Call in with your questions and we’ll answer them LIVE on the air!
In the meantime, what did everyone think of Star Trek? Anyone planning to go back and see it again? I think I might. I had a blast! Leave your comments about the film below and let’s get a conversation started!
The joke in today’s comic about Skyline is kind of dependent on you having actually seeing the movie. And since the film came in 4th at the box office this weekend, I’m going to assume not a lot of you did.
That’s okay. If you watch the trailer you can pretty much get a sense of how ridiculous this movie gets with the lens flares and the blue lights. It’s like a K-Mart Blue Light Special up in here! HEY-O!
For an extra dash of ridiculousness, please enjoy this screen shoot of Eric Balfour from the trailer.
ACTING!
By the way, did anyone catch the trailer for Battle: Los Angeles that came out early last week. Looks suspiciously similar to Skyline, if you ask me. Funny how they released the trailer the same weekend Skyline hit theaters. Just sayin’…
So, like I said, no one bothered to see Skyline this weekend. I probably could have made fun of Megamind, which held on to the number one spot for a second weekend in a row. Or, at the very least, taken a shot at the Denzel Washington/Chris Pine out-of-control locomotive thriller Unstoppable. But, truthfully, Saturday Night Live got there first and did a better job of it.
I don’t want to alarm anyone, but I think I might have gone crazy with all the clip and image embedding. Fair warning.
Alright, alright. I’ll admit I don’t have anything interesting to say about Skyline. But maybe YOU do! If you happened to see this Independence Day knock-off or want to say something about it’s knock-off Battle: Los Angeles, leave your comments below. Similarly, let us know what you think if you saw Unstoppable. To me it looks like Speed except much more… linear. At least a bus with a bomb on it can run around town. There’s not much going on with that train unless you put something in front of it about 10 minutes in advance.
Leave your comments below!
Last year’s teaser trailer for J.J. Abrams’s Super 8 was as vague as it was violent. Which made me think it was some kind of indirect sequel to Cloverfield. Which, in turn, made me apprehensive about seeing it.
But the Super Bowl trailer released on Sunday puts Steven Spielberg’s name as producer up front and the tone of the piece deftly blends hazy mid-70’s nostalgia with a hint of the unknown through the eyes of a child – a Spielberg specialty. I walked away from this trailer with a sense more akin to E.T. – The Extra Terrestrial or Close Encounters of the Third Kind than I did before.
What was your reaction to Super 8? Leave your comments below!
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My apologies for the lateness of this week’s comic. I struggled with this one. I think I probably bit off more than I could chew. I guess 8-panel comics do that to me.
But I really wanted to include that line about walkie-talkies and shotguns. As you may or may not remember, Spielberg digitally removed the shotguns federal agents were carrying and replaced them with walkie-talkies for the film’s 20th anniversary re-release in 2002. It caused a bit of an uproar.
I’m sure I wasn’t the only person to have looked at the trailers for Super 8 and thought to themselves “It looks like E.T. with lens flares.” It’s kind of hard not to when you know that Spielberg was an executive producer and they slapped that old Amblin Entertainment title card in front of the previews.
Additionally, harping on Abrams for utilizing his favorite visual device may even be a little cheap. But at least there was SOME context for the lens flares in Abrams’ reboot of the Star Trek franchise. He said he wanted the film to look like the future.” What’s the deal with adding lens flares to a movie that’s supposed to take place in 1979?
I didn’t get a chance to see Super 8 this weekend and was left kicking myself because I’ve done a really good job of keeping myself spoiler-free. If Abrams is known for his love of lens flares, he’s equally well known for creating an air of mystery around his films. Although, once the mystery is revealed, there is rarely a reason to stick around or care about that movie ever again (Cloverfield, I’m looking at you.)
I do kind of wonder if this retro-vibe Abrams is exploring with Super 8 isn’t a bit of a wank, though. This is not just a period piece we’re talking about. He’s purposefully aping a specific style. Is Abrams trying to push the nostalgia button to earn points with audiences? Is Super 8 an original composition or is it a remix? The way Hollywood looks these days, it’s hard to know what’s authentic anymore. Every movie is either a remake, a sequel or a reference to something else.
But I still want to entertain the mystery. I’m kind of enjoying the chase. That’s why I’m not exactly enthusiastic to ask you guys to submit your thoughts about Super 8 if you happened to see it this weekend. I want to go in “pure.”
After all, if Super 8 is an 80’s throwback, it seems appropriate to be caught off-sides by it like audiences back then did. Back before there was the internet or a 1,000 spoilers creeping around every corner.
Am I alone in this? Did anyone else experience the same sense of anticipation with Super 8? Is it justified or am I being manipulated? And if I’m being manipulated, isn’t that kind of the point?
I guess I’m feeling kind of philosophical today. If you’d like to add your thoughts in the comments section, jump in.