I’m not exactly sure what part of my brain the idea for this comic escaped from. I just started thinking about Forgetting Sarah Marshall and how it’s a Judd Apatow production, ALL of the Judd Apatow productions lined up for release in 2008 and the rest just kind of leaked out of my ear.
I’m sure the working environment on an Apatow film is much less contentious as I’ve depicted here. But you can’t help but notice the low-grade nepotism involved with these movies anymore.
At first I thought it was pretty cool to have the same stable of actors on call for any given movie. Now I can’t imagine a comedy that DOESN’T feature Jason Segel, Seth Rogen, or Jonah Hill in some capacity. Do they even make comedies without their involvement anymore? It’s hard to tell.
Then again, maybe that was the point.
At this stage, Apatow productions have become like the Laff-O-Lympics for my favorite comedy actors. I just watched Walk Hard: The Dewey Cox Story on DVD last week and there are tons of small cameos from the likes of Jack McBrayer and Ed Helms. Complete throwaway roles that could have been played by anyone. But then they show up on screen and that wave of recognition hits you. “Hey! That’s so-and-so from [insert popular comedy television show here]!” In a weird way, it’s like it adds some kind of credibility to the affair.
As far as Forgetting Sarah Marshall is concerned, it’s a movie I’ve been looking forward to for a while. It looks like it’s got the same mix of crudeness and sweetness and they’re mixing things up a little bit by adding Kristen Bell and Mila Kunis to things. Also, those two actresses are very attractive and I’ll take any advantage I can get in terms of muting the amount of wang that is supposedly in this movie. Reportedly, Segel shows the goods 3 times in this picture. At what point did the wiener become a standard visual gag? I know it looks weird, and everything, but…
Peter Segel is an actor I kind of like, but not really – and mostly for the roles he’s chosen. Specifically, the stalker boyfriend from Undeclared and the dirtbag MILF-chaser in Knocked Up. I don’t watch How I Met Your Mother, but I understand he plays a much more squeaky clean version of himself on that show. So maybe it’s been the wrong exposure for me.
That said, I’m impressed that he wrote the screenplay for this one and somehow managed to wring A NEW MUPPETS MOVIE out of his involvement with Forgetting Sarah Marshall. Apparently there is a sequence with puppets at the end and people from The Henson Company were doing the puppeteering. Segel floated the idea past them and the rest is (soon to be filmed) history.
Cami and I are trying to line up a babysitter this weekend so we can get out of the house and see this. I know I say that a lot, but this is the first movie in a long while that I feel extremely motivated to see. Motivated enough to inconvenience another family member and deep-six their Saturday night to hang out at our house and make sure my baby doesn’t drink a case of Colt 45 while we’re away.
Wow. That’s a visual for you.
One last thing — If you missed it on Wednesday, be sure to download the first recorded broadcast of Boxcar Comics Hobo Jamboree. Myself, Joe Dunn from Joe Loves Crappy Movies, Phil Chan from Martriculated and Clay Yount from Rob & Elliot were all in attendance and we laid down the ground work for what you can expect from our monthly podcast. We had a good time recording it and I’m already looking forward to the next one.
A couple of people wrote to tell me that we didn’t give you guys enough notice to listen to the show live. Sorry about that. It all came together kind of quickly and we just ran to press with it. Next time, we’ll try to talk it up a week or so in advance.
I’m really excited about the progress that Boxcar Comics has been making lately. So far we have one jam comic and this podcast under our belt. We’re working on our second jam comic as we speak. Boxcar has been around since 2005. I think we’ve gotten more done in the last few months than we have in the last few years. I feel good about it. We’ve justified ourselves beyond just sharing traffic. Good times.
That’s all from me! Have a great weekend everybody!
This comic stems from another one of our conversations on The Triple Feature this Monday. It’s largely a rant that I tied off with a punchline here, but went unchecked during the recording of the podcast.
I’m greatly annoyed by the remake of Fame. Not because I’m a fan of the 1980 original or even the lousy TV spin off that spawned from its success. As a matter of fact, I hate the movie Fame and pretty much cite it as the flash point of a generation deluded into thinking that they were amazing singers/dancers/actors just waiting to be discovered.
More and more, the culture seems to advocate fame and popularity by birthright rather than by hard work and talent. I don’t know if it is a uniquely American expectation or not, but I’ve noticed an upswing in the last few years. People seem to fall ass-backwords in to fame with increasing regularity. Blame YouTube, I guess.
With that in mind, will a remake of Fame even resonate with today’s audiences? Is having talent and a work ethic even attractive to a culture that is willing to accept humiliation on national television if it means they get their 15 minutes of infamy?
You can stand in line for 18 hours to sing for Simon Cowell. If you’re good enough, you might get to go to Hollywood. But even if you’re a piss-poor singer, maybe they’ll throw you onto the highlight reel of all the dismal failures so America can have a good laugh at your expense. So what, right? As long as someone is paying attention. William Hung took that lack of self-awareness all the way to the bank.
One could argue that this comic is its own desperate plea for attention. I would be hard pressed to argue with them. Am I proud of the success I’ve found with Theater Hopper? Of course. Could I do with a little more exposure? Well, sure. I mean, who wouldn’t want that? So I’m just as guilty as everyone else.
But then, I’m not exactly the audience this remake of Fame is shooting for.
So if you’re a teenage girl with aspirations to become a great singer, are you going to watch a movie like Fame that promotes the concept of hard work and sacrifice or are you going to tune in to American Idol three times a week an nurture the fantasy that maybe you too can be America’s most popular karaoke singer?
Food for thought, I guess.
What about the rest of you? Any aspirations to see Fame this weekend? Are you a fan of the original movie?Do you think a remake can possibly bring anything new to the table? Leave your comments below!