At this point there have been so many B-grade thrillers starting Nicholas Cage and his mighty-morphin’ hairline, it’s almost become a sub-genre within the comic!

I’m kind of fond of the idea that Cage is host to some kind of demonic, mousse-infused demon hairpiece. It would certainly justify a lot of the decisions he’s been making lately.

Knowing was the big box office winner this weekend, bringing in almost $25. I know some people who liked it, but the general consensus is that the film is not good. I’m intrigued by the concept, but it looks like a rental to me so long as no one spoils the whole number thing. I have to admit I am curious to see what happens when they run out.

…But not so curious that I have to run out opening weekend and drop $10 on it.

What’s been interesting is reading the articles about Cage that basically said he’s sold out. Jeffery Wells from Hollywood Elsewhere suggests some kind of virus has gotten into his system, “like a pod was placed next to his bed in ’05 or ’06 and another life form took over.”

John Anderson from The Washington Post cuts to the bone when he suggests that “Cage, once held up as an example of the intrepid artistic impulse, has become something of the poster boy for blind ambition, cynical role selection, questionable judgment and, worst of all, humorlessness: He glowers, he hunches, he looks meaningfully into the distance without it meaning anything at all.”

Owen Gleiberman from Entertainment Weekly doesn’t even attempt to hid his contempt, asking in his article’s headline: Nicholas Cage: Artist or hack?

This could very well be a case of critical dog-piling. These guys could all be feeding each other in terms of their theories. But could the also be reflecting a sense of general disappointment with Cage and his choices?

Not that it’s any business of ours, I suppose. But I think Gleiberman is onto something when he points out that Cage makes movies that people want to see. But Gleiberman is quick to point out that, for some, “Cage has become something of a joke, a proud I don’t give a f—! hack-for-hire who sells out his gifts with such unabashed promiscuity that it’s almost as if he were daring you to call him on it.”

I’m curious what the rest of you have to say about this topic. Personally, I fall somewhere in the middle. I cringe when Cage shows up in movies like Bangkok Dangerous and Next. But I won’t front when I say I really enjoyed him in straight-up-the-middle family entertainment like the National Treasure movies.

What’s your opinion about Cage? Is he selling his gifts short? Has he been doing these B-grade films for so long that you can barely remember his Oscar winning turn in Leaving Las Vegas? Leave your comments below.

In the meantime, don’t forget to tune in to The Triple Feature tonight at 9:00 PM CST over at TalkShoe.com. We’ll be talking about Knowing and the other box office winner this weekend, I Love You, Man.

I managed to see I Love You, Man over the weekend and I liked it. But I spent a lot of time cringing at the awkward social situations Paul Rudd’s character puts himself in the middle of. I saw a little bit of myself in that character. I don’t have a lot of guy friends and I can certainly identify with the challenge of trying to cultivate friendship in adulthood. It’s friggin’ hard! Seriously – I’ve you don’t set yourself up with at least one or two guy friends early on in life, you’re kind of screwed.

To be notified of when The Triple Feature is about to start recording live, start following my Twitter feed. I always make sure to post an announcement about 5 to 10 minutes before we start the show. If you’re online, you can join in the conversation! We hope to see you there!