Empire Magazine recently released images for three covers they’re using to help promote X-Men: First Class. This is the cover that caught my eye.
Nicholas Hoult looks a little more convincing as Beast. But Jennifer Lawrence’s Mystique looks drowsy with a receding hairline. I don’t care how much cleavage you show, you’re creeping me out, Jenny. The cover is obviously ‘shopped. They couldn’t have gotten a better picture of her?
What’s your take on these new images? Also, when did Empire Magazine become a total fanboy rag? I used to think they were one of the classier, “high-end” movie publications. Did I miss a memo?
It’s probably been decades since I’ve seen the Disney animated classic Bambi. So, when the opportunity arose to review the film’s Diamond Blu-ray release, I must confess that I merely curious by the prospect and not exactly anticipating it.
By that I mean I wasn’t waiting by the mailbox for the review copy to arrive. I don’t mean to be cruel. I’m thankful for the chance. It’s just that, well… Bambi was never one of those movies that connected with me as a child.
I don’t know if it’s the pro-nature theme, the gender ambiguous names of the characters like Bambi and Flower or if it has something to do with one of animation’s starkest bummer scenes. And if you know the story of Bambi, you know what I’m talking about.
What I discovered rediscovered instead was a very thoughtful, organic and beautifully composed film that rightly deserves its revered status among the Disney classics.
Watching Bambi as an adult, I was struck by its painterly style. Specifically, I’m talking about the lush watercolor backgrounds that allude to nature without ever overpowering the scenes.
They characters, too, remind the audience of the raw power and delicate grace of nature in a way that is practically uncanny. The ability for the animators to infuse human characteristics and personality traits into the mix demonstrates the raw talent in the pool during production of what was only their fifth film.
So why is there such a profound disconnect in my mind? I actually blame Disney for that. To a point.
Having marketed the film to the home video audience on and off for the last 30 years, Disney has reduced the scope of the movie to the cute, stumbling fawn that we are introduced to in the first half of the movie. Slipping on the ice, learning how to say the word “bird,” yelling “FLOWER!” at a skunk so forcefully he rolls back into a bed of daisies. I’m sure you can easily envision these scenes just from reading my brief descriptions.
However, the marketing completely ignores the second half of the movie where Bambi, now mature, takes a mate and confronts the scourge of Man. Incidentally, it never occurred to me how heavily The Lion King borrows from Bambi in this regard.
Now, granted, if I were going to pick a theme to push to unindoctrinated audiences, I’d probably go with the happy, fuzzy, lighter first act. All I’m saying is that the second act is so thematically jarring to me – largely due to my own hazy memory – that Bambi almost feels like two completely different movies.
In fact, the environmentalist theme in the second act is so profound, those who criticized Wall-E for having an agenda would probably explode from outrage watching this film. Disney’s message pulls no punches. “Nature is beautiful and should be preserved. Man ruins everything he touches.”
Wisely, is never shown in the film. But the brilliant musical score tells you exactly when he’s near. But when the swirling, pacing strings of “Man’s Theme” rise from the background, there’s no confusion that danger is present. In fact, it’s so simple, even a 4 year-old could recognize it. Watching the film with my son, nervously he would ask “What does that bad sound mean?”
I can think of no clearer example of how Disney pushed the medium of animation and film to communicate emotion without clubbing you over the head with it. That deft and steady hand is felt throughout the film.
The Diamond Edition Blu-ray is stacked with features that are exceptionally thorough – especially when you consider the film is over 65 years old. Probably the most interesting extra feature included on the disc is “Inside Walt’s Story Meetings-Enhanced Edition.” Reading from notes taken during story meetings, voice-over artists bring life to the words of Walt Disney, his writers and animators as they pitch ideas on how scenes will play out before one frame of animation was ever completed. The care and attention to detail these artists paid to the story is evident in these re-enactments.
In fact, the feature plays almost like an audio commentary. But instead of the actors and directors sitting around the room talking about what they thought worked and what they would have tried differently, Walt and his team talk about what will be and stay alarming true to their vision. Animation junkies and/or historians will be facinated by this opportunity to be a fly on the wall.
The Blu-ray also includes two “deleted scenes,” cobbled together from discarded storyboard drawings as well as a deleted song – “Twitterpaited” – which is basically about springtime and falling in love. Additional features made previously available in the DVD release of the film are also included.
Going back to the point I made previously about Bambi being two films and the softer pallet that has been sold to us by Disney over the years… I guess what brought this into focus for me was a specific bonus included with extras – the original trailer for the film from 1942. View it for yourself.
Now compare it to this advertisement for the Diamond Edition Blu-ray.
I don’t mean to make a mountain out of a molehill, but I find it interesting that audiences in 1942 were tantalized with promises of romance, action and heroism with nary a reference to Bambi as a child. Meanwhile, today’s audience is set up for an entirely different experience.
Bambi IS both films and it is a credit to Disney’s storytelling that the film works for both children and adults alike.
But if you were anything like me and was convinced that Bambi was a Technicolor cliche, you owe it to yourself to watch the film and reintroduce yourself to the splendor and refined artistry of Disney’s Halcyon days. You won’t regret it.
Anyway, it’s called “The Art of the Title” – a short montage put together by Ian Albinson for SXSW that is pretty much as-advertised. A series of movie titles displayed chronologically that will (as Garfinkel puts it) “going to make you want to watch movies right now.”
As a graphic designer and a movie buff, I couldn’t agree more. Albinson’s short film lands in the sweet spot where those two spheres of my Venn diagram intersect.
If you’d like to learn more about The Art of the Title, they have a web site where they describe themselves as “A compendium and leading web resource of film and television title design from around the world. We honor the artists who design excellent title sequences.” Check it out!
A couple of days ago, Pixar released the third official trailer for Cars 2 – which seems weird because I feel like I’m already seeing commercials and exclusive clips of it everywhere.
For your benefit, I’ve included it here:
The reaction among most of the online movie blogs was typical. People were licking their chops writing up their best disses.
“If Pixar is the standard by which we inevitably, unfairly measure all other cartoons,” wrote FilmDrunk “Cars is the franchise that proves they’re still human.”
“Eh, it’s Pixar,” opined Pajiba “You’ll see it eventually. What choice do you have?”
Look, I’m not blind. I know that Pixar capped this trailer with a bidet joke. If this were a Dreamworks movie, I’d be worried.
But Pixar just came off their best year ever with the largest-earning, best reviewed Academy Award-winning Toy Story 3. You really think they’re going to take a dump in the punchbowl now?
I get it. People don’t like Cars and they don’t understand why Pixar would line up for a sequel – especially when there are more deserving properties to explore like The Incredibles or Monsters, Inc. I’m with you. BELIEVE ME, I’m with you.
But frankly, this kind of snark is nothing new. People have been predicting Pixar’s downfall ever since they hit their stride. I know I’ve said this before, but I remember people bad-mouthing Finding Nemo when it’s trailers first hit the internet. Where are those critics now. Yeah. Shut up.
I freely admit to being a Pixar fanboy and drinking the Kool-Aid. But that’s only because all of these other critics are so damn intent on asserting themselves as being above-it-all. And should Cars 2 tank critically or financially?… They’ll be the first to say “I told you so!”
It’s really unfortunate because no one ever calls these guys out when they’re proven wrong. “Remember when you said that Wall-E looked like garbage on wheels?” There’s no accountability.
I’m guilty of the same cynicism. I won’t pretend like I’m not. I see a movie like Beastly or Red Riding Hood and my eyes roll so hard they nearly fall out of my head.
But there’s a difference between bargain-basement movie making and a studio with an artistic pedigree. To quote Star Wars (for no reason at all), “I find their lack of faith… disturbing.”
It’s not often that you open up your e-mail to a picture of documentary director Morgan Spurlock nearly naked. But that’s what I received yesterday when Sony Pictures Classics sent out a press release announcing the poster for Spurlock’s The Greatest Movie Ever Sold.
Soak it in, ladies…
Gotta give credit to Spurlock on the premise of his new film. I think it will be very interesting to pull back the curtain a little bit and take a peek at the lucrative business of brand sponsorship. Sponsorships have been going on practically since media was invented. But marketers are getting more savvy and less overt with their product placements.
As a marketer myself, I don’t find their maneuvers particularly sinister but, instead, highly fascinating. Especially when it comes to steering consumers toward their products when they might not be fully aware of the effort.
Spurlock will walk the talk in this film, so to speak. According to the press release, the film was FULLY financed through product placement from various brands, all of which are integrated transparently into the film.
“While using brands in film promotion is not new for Hollywood,” says the release “it certainly is new territory for the documentary format. Spurlock exploits the phenomenon to new heights, with everything from branded pizza boxes and in-flight film promotions to branded-everything in-film.
Should be interesting. The movie hits theaters April 22. What do you think? Leave your comments below.
I’ll share that I was somewhat skeptical of Captain America being a success at the box office. Marvel has done a good job of making the character a WWII bad-ass in the last 10 years, but the fact remains that he’s kind of trapped in a hokey, by-gone era with several “Gee whiz!” simplistic trappings. There’s a high probability that this film could turn out very campy if not handled correctly.
This image of Weaving as The Red Skull completely blows that out of the water for me. For a film I was feeling so-so about before, I am now completely on board.
Marvel has been very smart about the publicity materials they’ve let leak out over the last few months. They’re very tuned in to what the fans want to see. First Cap’s shield, then the costume, then the effect of the Super Solider serum and now The Red Skull. Well played, Marvel. Well played.
The more I think about it, the more I think this make up job is absolutely perfect. I didn’t even notice that Weaving’s nose was completely missing until after I poured over the details of the costume. I wonder if they’re using the same guys who removed Ralph Fiennes nose for Voldemort?
And when you get right down to it, Weaving is the perfect choice to play The Red Skull. His villains are the best. Slightly unhinged, thoroughly pissed off and smart as a whip. Always a great combination.
What is your reaction to this new image? Does it have you psyched for Captain America? Leave your comments below!
As you may have heard, a new Toy Story short is supposed to appear in front of Cars 2 this summer. If you haven’t already seen it, here’s a short clip.
As you can see, Ken thinks that he’s in Hawaii, when he’s really just in Bonnie’s room. But unable to deal with Ken’s disappointment, the rest of the toys recreate Hawaii in the room for him. One will assume hilarity will ensue.
Normally it bugs the crap out of me when people cast doubt over Pixar’s efforts. It’s usually a case of sour grapes or people being tired of Pixar being awesome all the time. So it pains me to admit that I think it’s a little too soon to see Buzz, Woody and the gang again.
I mean, I’m sure the short will be hilarious. Heck. If it was were seven minutes of Ken throwing poses and saying “Why, hello there…” it would be hilarious. Michael Keaton OWNS that character.
All I’m saying is… give us a chance to miss you.
Right?
What are your thoughts about the new short? Leave your comments below!
As I posted yesterday on the Theater Hopper Facebook page, I kind of keep forgetting that the Oscars are this Sunday. I don’t know why I’m not more excited about them. I guess because the field of nominations this year feels so… safe.
In my head, it’s between The King’s Speech and The Social Network to walk away with the big prizes Sunday night. It all depends on whether or not Academy voters buy the hype behind The Social Network being the “first important film of this generation.” Considering the voters tend to skew older and that they value more traditional forms of entertainment, my money is on The King’s Speech winning them over.
At any rate, here’s my 2011 Oscar ballot – complete with who I think WILL will and who I think SHOULD win.
What do you think? Am I way off base with my predictions? Who do you think will walk away with Top Honors from this year’s Academy awards? Leave your thoughts in the comments below!
The red band trailer for Cameron Diaz’sBad Teacher came out recently and it’s so completely ridiculous, I had to share it with you.
The gist of it is basically that Cameron Diaz swears a lot. Awkwardly. Is anyone convinced by this “bad-girl” persona she’s slapped on? This performance seems specifically designed to counter-act Diaz’s bubbly Every Girl reputation. Instead it comes off as contrived.
Justin Timberlake is acting so unbelievable goofy, it’s like he wandered out of a Saturday Night Live sketch.
In fact, I can’t decide if this movie is supposed to be straight up satire or if we’re supposed to take any of the characters seriously?
Jason Segel appears to be approaching his role with some sincerity and, as Forgetting Sarah Marshall proved, he’s endlessly endearing as the underdog.
But from this trailer, it looks like casting Diaz was a mistake. Whatever they’re selling, I’m not buying. To me it looks like some vain attempt to make Diaz relevant again by shocking us into paying attention. She’s like Madonna, or something.
What do you guys think of Bad Teacher? Is it a Bad Santa knock off or something worse? It Diaz at all believable in this role? Leave your comments below!