Archive for November, 2007
20 items.
Apologies for the delay on today’s blog. I uploaded the comic last night and forgot about it because today I am taking the day off from my 9 to 5 so I can work on a Theater Hopper redesign. I’m really excited, but worried I won’t get everything done before Cami brings Henry home from day care once she gets off work. At least I can lay down a good foundation without a lot of distraction. Although it’s very tempting to want to play Legend of Zelda: Twilight Princess all day!
I feel kind of self-conscious about today’s comic especially after Friday’s comic. You wouldn’t believe how many messages of support I got for that comic. More importantly, you wouldn’t believe the number of converts I brought over to my way of thinking after that comic! Lots of people were sending e-mails saying “I thought you were kind of off base with your hatred for Shia LaBeouf, but seeing that picture with Harrison Ford riding bitch has me convinced!” I knew that photo was my secret weapon.
At any rate, I know that social awkwardness on a plane or in a confined space isn’t really new, but I had to figure out a way to get Jared face-to-face with his new nemisis and anything else would have been too abrupt. I’m really enjoying telling this story and feel like I could go on and on with it, but I’m probably going to try and wrap it up this week. I’ve been doing it for about a month and I’m starting to miss the topical stuff. Plus, heading into the holidays, there are going to be a lot of films I want to talk about.
Speaking of movies I want to talk about, we’re going to be talking about A BUNCH of movies tonight on The Triple Feature talkcast. Specifically, we’ll be talking about No Country For Old Men, the new Coen Brothers movie out now in limited release. In support of the new film, we’ll be talking at length about the Coen Brother’s contribution to film over the last 25 years. So if you have opinions about Raising Arizona, The Big Lebowski or Fargo, call in! We’d love to talk to you!
The show starts at 9:00 PM CST. Be there or be square!
See you guys then. For me, it’s back to the redesign!
[ No Comments ]
“The Best Reviewed Movie of the Year!”
That’s what the sticker affixed to the DVD jacket of Ratatouille says. It’s referring to the 97% positive rating the movie earned from the reviews collected by RottenTomatoes.com.
The claim is somewhat dubious. The Pixar name alone is almost synonymous with quality. But within five minutes of watching the film, you understand why it is so highly regarded.
Ratatouille is the second paring between Pixar and director Brad Bird and their effort is as good, if not better than their previous film – 2004’s The Incredibles.
The movie is centered around Remy (voiced by Patton Oswalt), a passionate French rat with a highly developed sense of smell and taste. Remy dreams of an existence beyond scavenging for trash with his dim-witted brother (Peter Sohn) and loutish father (Brian Dennehy). He fantasizes about being a 5-star chef, like his hero Gusteau – a celebrity chef whose book “Anyone Can Cook” Remy has been stealing glances at in the home his family hides out in.
Remy’s life changes dramatically the day his family is discovered by a shotgun wielding grandma and he is flushed down a storm drain into the sewers under Paris. His family lost, he emerges top side in front of Gusteau’s world-famous restaurant. Kismet at it’s most unlikely.
From there the movie kicks into high gear as Remy forges an unlikely alliance with a lowly garbage boy named Linguini whose ambition to cook is offset by his complete lack of talent. By pulling locks of his hair to manipulate his arms, Remy puppeteers him into creating fantastic dishes that excite the restaurant’s patrons and brings glory to our heroes.
There is conflict with the Napoleonic head chef Skinner (an unrecognizable Ian Holm) who has taken over for the now deceased Goustea and with Anton Ego – a rail-thin ghoul of food critic who refuses to swallow anything he finds unpalatable. Peter O’Toole as Ego delivers a mesmerizing, menacing performance that transforms the character from more than a mere food snob into a frightening threat.
What follows is a predictable arc about pride, humility, teamwork and family. But woven throughout the film are much more rich subtexts about creativity, authenticity and passion – both good and bad.
Gusteau’s motto that “anyone can cook” is pervasive throughout. One must only have the desire to cook, to experiment, to be successful. If one is brave and injects their heart into what the love, they can create beautiful things. It’s a life-affirming message and applicable to all forms of artistic expression.
Alternatively, Brad Bird pulls no punches against the critic character Anton Ego whose passion for food has corrupted his ability to appreciate it at all. Scathingly, Bird identifies critics at large to mostly irrelevant and the potential death nail to creativity. Everything from Ego’s tone, to his look, to his coffin shaped office and grim hollow typewriter facade that looks like a human skull re-enforce this.
It goes without saying that the film is a seven course meal for the eyes. Pixar continues to refine its technology to the point where water effects and the rendering of hair and fur look nearly as good as the real thing.
The DVD’s extras are surprisingly thin for a film experience so sumptuous. Two hilarious animated shorts, the theatrical feature “Lifted” and the DVD exclusive “Your Friend the Rat” are excellent. The three deleted scenes animatics introduced by Brad Bird are less so.
The last and most interesting extra on the DVD is the 15 minute documentary “Fine Food and Film: A Conversation with Brad Bird and Thomas Keller.” Keller is a name familiar to foodies. A world-famous chef, he was a consultant on Ratatouille and the signature dish in the film bears his signature for its unique preparation.
The documentary explores the unlikely similarities between animation and cooking as Bird and Keller separately discuss inspiration, collaboration and mentorship. There are several valuable insights. Producing more extras like this would have made the supplemental material much more satisfying.
Obviously DVD extras do not a successful film make. But for an animated feature that is so lovingly crafted, it would have been a real treat to explore more of the process and effort that went into its creation.
We may never understand all of the mysteries that lead to great art. But in any case, my compliments to the chef.
[ 1 Comment ]
Sorry today’s comic was late. Like, REALLY late. I didn’t get a chance to post it until after 11:00 PM. The reason for the delay is that Henry has come down with a wicked cold and has been running a fever. So, we’ve been watching him pretty closely. As such I don’t have much of a blog post for you today. Sorry. But, hey! Harrison Ford! That’s cool, right?
If you’re interested, be sure to check out my review of Ratatouille which came out on DVD yesterday. Or you can keep yourselves busy by downloading Monday’s broadcast of The Triple Feature. We’ve really been on fire these last few episodes. I’ve been really proud of how they’ve turned out.
I’ll have another review on the site tomorrow – The Pixar Short Films Collection, Volume 1 – so be on the lookout for that.
Thanks for your understanding. I appreciate it!
[ No Comments ]
Nov15
DVD REVIEW – PIXAR SHORT FILMS COLLECTION, VOL. 1
November 15th, 2007 |
(1 votes, average: 1.00 out of 10)
In the golden age of cinema, audiences weren’t bombarded with commercials for Coca-Cola and wireless phone companies. They used to get a little more for their money. Newsreels, previews of coming attractions and even animated short films.
Modern audiences have become familiar with animation staples like Bugs Bunny and Tom & Jerry from constant reruns on televisions. But since the 1960’s, there have been few animated shorts to make it in front of a feature presentation.
Thank goodness for Pixar who keep the tradition alive with a delightful short before each of their theatrical releases. Finally, each of these shorts (along with some additional material) has been collected on DVD for the first time – The Pixar Short Films Collection, Volume 1.
The DVD collects 13 shorts from the company’s history. Films like “Gerri’s Game” and the Academy Award-winning “Tin Toy” audiences might already be familiar with. However more obscure films like “Red’s Dream” and “Knick Knack” may amuse. In a historical context, Pixar’s first effort “The Adventures of André & Wally B.” is fascinating if for no other reason than to demonstrate how far Pixar has come in it’s 20 year history.
It’s hard to say exactly who the audience for this collection is supposed to be. Animation enthusiasts will find plenty to examine in this collection, but casual fans may feel cheated by what’s included. Several of these films (having appeared in front of Pixar’s theatrical releases) have already been made available on those films corresponding DVD releases. I suppose the advantage is to have them all in one place, but that doesn’t exactly offset the price tag.
Each of the short films includes an audio commentary, which is valuable for further historical context or to highlight the small artistic touches that may have gone by unnoticed the first time around. However, some of the commentary is repetitive when compared to the collections lone extra feature, the documentary “Pixar Shorts: A Short History.”
The documentary itself is very interesting as it traces the steps of Pixar’s evolution as an offshoot of LucasArts in the 80’s, snapped up by Steve Jobs shortly thereafter and even their short stint as a computer processor and 3D software vendor. All of their early history is laid bare as a precursor to the world’s first fully computer animated movie, 1995’s Toy Story. People pretty much know the rest of the story from there out.
In the documentary, the original Pixar founders categorize themselves largely as nerds that got lucky. The goal was always to produce a completely computer animated feature. But it wasn’t feasible without experimentation. These guys were literally making it up as they went along – writing the programming and the software as they created. It was with benefactors like LucasFilm and Jobs that made that experimentation possible.
The Pixar crew is also quick to recognize that they weren’t the only team of effects men working toward this goal. They just got their first. A lot of credit is given to director John Lasseter for his creative vision in those early works that kept them one step ahead of the competition.
But the documentary isn’t the main attraction. In this case it’s the features. It’s hard to discuss all of them individually for their merits. Highlighting and specific shorts over others would be wholly subjective and pointless. But once you get beyond the initial experimental shorts and more into the professional grade stuff, there is lots of entertainment to be had. Even if you aren’t interested in the history of Pixar as a company, you’ll find enough here to laugh at and enjoy. It may not be worth the full price of admission if you aren’t Pixar nut like myself, but competitions will find it hard to resist.
[ No Comments ]
So this is it. The big finish.
I suppose some of you might be let down by the comeuppance Shia LaBeouf receives. Personally, I would have hoped that it would have been a little more Machiavellian, but sometimes a solid punch to the gut is what you need.
You can see it went a little larger with the comic today. I think it’s the first time I’ve done that. I did it to kind of punctuate the story arc by giving you a little more. Even though I can see a thousand different opportunities where to take this, I think after a month it’s best to hang it up and move on to new things.
I hope you guys enjoyed the arc. I had a lot of fun writing it. Probably the high point for me was last Friday’s strip where I broke out the production photo of Harrison Ford riding bitch on a motorcycle Shia was driving. That was the tipping point. Here I was making this case for why you should hate Shia LaBeouf and some people were like, “I don’t get it.” Show them that picture and all of a sudden they’re like, “I HATE THAT GUY!” I always knew it was my secret weapon.
I have to give thanks to those of you with StubmleUpon and Reddit accounts that gave that strip prominence on the social bookmark circuit. Your efforts brought CRAZY traffic to the site and I can’t thank you enough. If only we can have that going on all the time. How cool would that be? Of course it’s a good idea to bookmark EVERY Theater Hopper strip – but I think asking you guys to concentrate your efforts on a specific comic really paid off. So I might try that trick again at some point in the future.
Incidentally, if you’re new to the strip – welcome! I hope you add us to your bookmarks and check back often.
Not much more to tell you except I’m seeing Beowulfthis weekend and I’m really looking forward to it.
At first I was kind of “Meh” about Beowulf. I was like, “I read the poem in high school. What more do you want from me?” But then the footage for the trailers started seeping into my brain and I became really curious as to how they were going to make this motion capture stuff work.
I saw The Polar Express. It was the last time Robert Zemekis tried the motion capture trick and I didn’t like it. The children looked like dead-eyed Play-Doh zombies. Will he be able to breathe life int a much more epic story? I like that he keeps reaching for that brass ring.
Oh – real quick, I have to point your attention to a recent Joe Loves Crappy Movies comic about the parking lot thriller P2. Joe came up with a new term based on how bad the movie was to describe theater hopping and he gives us a funny shout out. Read it!
Anyway, that’s it for me! Thanks again for your support and have a great weekend!
[ No Comments ]
When I came up with the joke for today’s comic, I thought it one of the most clever things I’d ever written. But I think something got lost in translation because I’m not sure I executed it at the level I was imagining it. I feel like I’m trying to find my sea legs after spending so much time on the Shia LaBeouf arc.
I saw Beowulf over the weekend and liked it. I’m kind of surprised at some of the reactions I’ve been reading online. Some people like and and some people really hate it. I have to admit that there is some pretty bad dialogue in the film and there are some shades of “THIS! IS! SPARTA!” in the delivery. But for the most, part I give it a pass simply because it kind of makes sense that people in the middle ages would kind of talk like idiots, right?
I saw the movie in Digital 3D which I wasn’t aware was even an option until a few hours before I went to see the film. I haven’t seen a 3D movie in years, so it was a real treat. The effects weren’t all that obnoxious, but there were a few you could tell were thrown in to tweak the audience. Obviously I don’t have the basis for comparison seeing it in a “standard” format, but I felt watching it in 3D really put me closer to the action and I felt like I was able to pick up much more detail in the animation that I wouldn’t have been able to otherwise.
There’s lots I want to talk about with this film. Everything from the story to the performances to the rotoscoping technology behind the animation. But I’m sitting on my comments. Part of me wants to write a complete review for tomorrow and the other part knows that we’re probably going to talk this one to death on The Triple Feature tonight.
I guess if I was going to encapsulate Beowulf in a sound bite, I would say that my expectations were really low for the film because I was kind of offended by the concept that this motion capture stuff could be considered animation. I’m a traditionalist in that regard and part of me thinks that what Robert Zemekis is doing is a shortcut in the process.
On the other hand, I didn’t want to cast myself as a Luddite and as an animation fan in general, I owed it to myself to investigate this new technology.
The animation has problems, but you can tell they’ve made huge leaps forward since The Polar Express and now I’m kind of interested to see what’s next. My expectations were low and I think that’s why I ended up enjoying the film as much as I did.
Be sure to listen to The Triple Feature podcast tonight at 9:00 PM CST over at TalkShoe.com. I think all three of us have seen the film, so I’m sure there’s going to be a lot of crossfire. More than likely you’ll hear something you can attach yourself to, so check it out!
That’s it for now. See you tomorrow!
[ 2 Comments ]
I don’t know how one starts a comic about Beowulf’s 3D glasses and wraps it up with a joke about mopping and waxing a wood floor, but by Jove I’ve done it!
Originally, my joke for this comic was about the warning on the package of the 3-D glasses handed out to the audience at the Digital 3-D or “Real D” (ugh) screenings of Beowulf. It instructed us not to wear the 3-D glasses as substitutes for sunglasses. The practical reason is because they wouldn’t offer and protection against HARMFUL U-V RAYS!!! But in the comic, I was going to make a joke about the glasses that they reveal something horrible about an individual that only the wearer could see. You know, like a reference to They Live. Very timely.
Of course, I don’t know if I’m winning any points in the timeliness department with my reference to Risky Business in today’s strip. But at least it’s slightly more well-known than They Live. I told Cami about the set up to this comic and she said “Will your readers even know what Risky Business is?”
I’m assuming if you’re here, you’re movie-savvy and if you haven’t seen the movie itself, you’ve at least familiar with the scene where Tom Cruise skids across the foyer in his tube socks, underwear lip synching Bob Seger’s “Old Time Rock ‘n Roll.”
He doesn’t wear his Ray Ban’s in that scene, but he does in the movie poster.
That said, do the 3-D glasses from Beowulf really look like Ray Ban’s? You be the judge!
Okay, so maybe not. But it was the first thing I thought of.
(Man, this argument is crumbling all around me!)
Just ignore the glasses for a second and focus on the delightful banter between Tom and Cami in today’s strip. That’s probably what I’m most proud of. There’s always been a relationship angle to Theater Hopper that I like to think plays a little higher since Tom and Cami are married (just like in real life!) and that’s been something missing from the comic for a while. I always enjoy it when Tom and Cami can flirt a little with each other, so I hope you got as much of a kick out of it as I did.
Sorry for not posting a Beowulf review yesterday. But as I predicted, we pretty much exhausted all there was to talk about on Monday’s Triple Feature talkcast. In fact, we may have over-estimated the amount of stuff we were going to talk about because we kind of lose it in the last 10 minutes. Fun for a listen while you’re spacing off at work – download a copy for yourself today TOTALLY FREE!
That’s all I have for now. I’m going to try and shoot for one more comic on Friday, but I’m not sure how the Thanksgiving holiday is going to screw that up. We’re hosting this year and now we have a 9 month-old to add a little spice to the mix. I suppose he has enough relatives to keep him out of our hair for a little while. Should be fun!
Enjoy the holiday and if you’re traveling, be safe!
See you back here again soon!
[ No Comments ]
Clearly being annoyed by people talking in a movie theater is somewhat of a theme for me.
Apologies for the lack of comic on Friday. I just got slammed by holiday responsibilities. Cami and I hosted Thanksgiving on Thursday and that was a chore and a half. Always good to have family over, but good when the leave, too. I’m sure you empathize.
Our problems were somewhat compounded by the fact that Henry has been cutting teeth recently. He’s had about five teeth for the last few months. But I guess they all must be pushing further through the gums all at the same time because he was practically inconsolable this week. Constant screaming. Like, screaming yourself hoarse levels of screaming. You do everything you can to easy the pain, but teething rings don’t help and neither do cold rags. We give him children’s Tylenol and pretty much wait for him to crash from exhaustion.
So, yeah. Anyway – full week.
I know today’s comic isn’t laugh-out-loud funny, but it’s based on a true event, so I had to put it into comic form to purge it from my system.
After we got Henry down to sleep on Friday night, I went to the late show of No Country For Old Men. Cami wasn’t interested because she thought it looked scary. Javier Bardem’s reputation preceeds him! That said, I’m bummed she didn’t get to see this with me because it’s easily one of the year’s best. Believe the hype. The Coen Brothers are in rare form here and all the performances are note-perfect. The ending is still haunting me days later. It’s stuck with me in a good way and I feel like I’m still peeling back the layers of it’s complexity.
The only thing that subtracted from my experience was a 50-ish faux-intillectual couple sitting a few rows behind me. They would NOT. SHUT. UP. throughout the entire movie!
I knew they were going to be trouble from the first moments I laid eyes on them. I ran into the theater to buy my ticket because I was running a little bit late and they there were in front of me. They wanted to see a movie that had left already left the theater and now they were wringing their hands trying to figure out what to watch instead.
They lazily interrigated the box office girl. “What would you recommend? Which of your movies is selling the best? Do you have any written matierials about this one?”
Points to the box office girl for being so patient. Meanwhile, I’m standing behind this couple in tweed jackets and wooden jewelry bouncing up and down like I have to go to the bathroom.
“Can I help you, sir?”
“One for No Country For Old Men,” I say, hurriedly. I grab my ticket and I’m out of there.
I make it into the theater before the trailers start and I see not far behind me is the annoying couple. They’re looking for a place to sit. I’m kind of down in the front in the middle of one of the rows positively radiating “Don’t sit next to me” vibes. They take a seat a few rows back. The movie starts and I put them out of my mind.
That is until about five minutes in when apparently the woman returns to her seat from a bathroom break. Then, the man proceeds to whisper the first five minutes of the movie to this woman to get her up to speed. This was one in a series of SEVERAL transactions during the showing.
I don’t know if you’ve seen No Country For Old Men yet. But if you have, you know that silence is a motif. There are hardly any cues from the soundtrack to ratchet up the tension and the movie is very much about the wide open spaces of West Texas and the scary solitude it provides. Javier Bardem’s character Anton Chigurh is utterly terrifying not because some daring musical cue causes you to jump. It is because he is so still, so methodical. Even the sound of his boots stepping down and empty hallway is enough to send shivers down your spine. You never know when this guy is going to strike. But when he does, it’s sure to be violent.
Meanwhile, these two yabbering idiots will NOT. SHUT. UP. They’re narrating the film to each other. “Ooo! Don’t go do that. He’s in the other room! Oh, no! He’s turning out the lights!”
And I want to murder them.
At several points during the film I turn around and give them the hairy eyeball. At first they look at me like they can’t figure out why I’m not watching the movie. They stop for a while, and then go right back at it. After several over the shoulder glances, I look at them again and ask “Are you going to talk the whole movie?” and turn around incredulously. Again, they stop for a short while before picking up right where they left off. I sit through the rest of the movie with their nagging voices over my shoulder. When they aren’t talking, I start to anticipate when they’ll start flapping their gums again.
The movie ends. I walk out and the two of them look up at me as I exit. “Thanks for talking the entire time.” I say and I stride out.
This sounds petty and passive aggressive, I know. But I probably would have felt more lame to have gotten up and asked the theater manager to politely tell these people to shut the hell up. They were in their 50’s easy. They should have known better.
Besides, there’s this part of me that believes I shouldn’t have to be inconvenienced with the chore of getting out of my chair to force someone to learn common courtesy. That’s why it’s common. You should enter these social situations already knowing what to do.
But it’s water under the bridge and the movie was great. I can’t suggest it highly enough. Just… be careful who you sit around, okay?
I saw another movie this weekend – Enchanted with Amy Adams. Odds are good we’ll be talking about that movie tonight on The Triple Feature talkcast tonight at 9:00 PM CST over a TalkShoe. I hope you can join us. I know we’ll be talking about more than that. Probably The Mist and Hitman, too. Lots of good stuff in theaters over the holiday weekend and I’m sure there will be lots of opinions floating around.
See you then!
[ No Comments ]
Nov28
Even though I easily envisioned stretching out Monday’s comic into a week-long arc, I resisted the temptation because it’s kind of like doing the same joke over and over again. That’s never really stopped me in the past, but can’t you see I’m trying to grow as an artist!
Pretentiousness aside, response to Monday’s strip was so strong, I was simply compelled to do a follow up. I like that Tom is kind of creeping up on the couple in this strip. I think that’s more funny than the actual punchline.
Incidentally, I am thinking about creating a t-shirt with today’s punchline as a slogan. Do you think you might be interested in a shirt that says “THIS IS NOT YOUR LIVING ROOM” if the design were done well? I’m thinking of having the slogan on a screen with the outline of the curtains and the theater seats in front of it. Laid out not entirely dissimilar from the set in today’s comic!
Back to reader response for a minute, I have to admit that I was surprised by the number of e-mails I received from people thanking me for addressing the issue of movie theater talkers. Several of you shared your own personal experiences. Clearly this is not an isolated phenomenon. But I’m starting to wonder if there is some sub-strata of human being where talking in a theater is not viewed as rude. Like, maybe it’s some kind of low-grade birth defect.
That’s armchair science for you, by the way.
Not much else to report at the moment, but if you’re enjoying the last few strips, I highly encourage you to download Monday’s broadcast of The Triple Feature podcast. Gordon, Joe and myself spent about a half hour sharing our stories of theater talkers.
We have strong opinions.
The week is half way done! Make it a good one and I’ll see you here on Friday!
[ No Comments ]
Despite my initial misgivings about turning this into a mini-arc, here we are. I hope you’ve enjoy this weeks conclusion. I think arson is a much less serious transgression than talking during a movie, don’t you? (tongue planted firmly in cheek).
I have to say thanks to everyone who has sent an e-mail this week either about these last few comics or about my plans to make the “THIS IS NOT YOUR LIVING ROOM!” t-shirt. The feedback has been excellent and I’m trying to respond to everyone. If I miss you, I hope this thank you will do.
I was very surprised to see how enthusiastic people are about the t-shirt idea. Lots of people raising their hand saying “Consider this a pre-order.” That doesn’t happen to me very often. I’ll float a t-shirt idea to you guys every once in a while and people will either ignore the request for feedback or respond and say “It’s funny, but I probably wouldn’t buy it.”
I need a little more confidence in my t-shirt design ability, but I’m not a slogan machine like some people. Now that I have your encouragement behind me, I’m excited about designing it. I’ve done a little research for reference shots of movie screens and seats, but I’m not sure what direction to go. Part of me wants to make it kind of graphical and part of me wants to go straight-forward with it. I got a great bit of advice to keep the design simple, big and bold letters on the back of the shirt so people can wear it to the movies and make a statement with it. Do it up in glow-in-the-dark ink so people sitting behind you can read it. I thought that was really clever.
Do you have design ideas you want to suggest? My ears are open.
Not much else to talk about today. New movies this week are slim pickin’s! Awake with Hayden Christensen? When that’s the most high-profile new release, you’ve got trouble. Go see No Country For Old Men if you haven’t already. It’ll well be worth your time.
Me? I’m staying at home, most likely. Weather forecasters are predicting a huge winter storm this weekend. Frozen rain followed by snow. Should be fun. Not that we’d be able to go anywhere if we wanted to. Our day care called Cami to pick up Henry yesterday because he had broken out in a rash and they thought it was hand-foot-mouth disease! Cami took him to the doctor and it turns out it’s chicken pox. So we have to keep him isolated for the next 4 to 5 days.
What’s that? Trapped in an ice-encrusted house with an itchy an irritable 9 month-old! I bet you’d love to trade places with me!
It shouldn’t be too bad. I was sent a review copy of Pirates of the Caribbean: At World’s End earlier this week in advance of it’s release on DVD next Tuesday. So I’m looking forward to diving into the extras on that one. Look for a review next week. I’m also thinking of making a run to Best Buy before the storm hits to pick up a copy of Waitress and Futurama: Bender’s Big Score. I’ve heard great things about both. Then again, I’d probably buy that Futurama movie even if it was total crap! (But what are the odds of that?)
Incidentally, I have a SECOND copy of Pirates of the Caribbean: At World’s End to give away next week. So be sure to listen to The Triple Feature next Monday at 9:00 PM CST over at TalkShoe.com for your chance to win.
Okay! Gotta wrap things up! Have a great weekend everyone! Thanks for reading!
[ No Comments ]
