Today’s comic plays a little inside. Either your familiar with Joe Loves Crappy Movies and it’s creator Joe Dunn or you’re not. However, if you’re a fan of this site, I would think you would be educated in the ways of Dunn. He’s done a bajillion guest strips for us, is a friend of the site and tackles movies over at his comic with great enthusiasm.
With that said, I don’t want people thinking this comic is the start of some kind of flame war between Joe and I. It actually sprung from a real-life conversation we had about Cars on his LiveJournal. Everything Joe said in the third panel? That’s a direct quote.
Okay, okay. So Joe didn’t like Cars and I understand that. Do I think it’s as good as The Incredibles? No, of course not. Do I think it’s the worst movie they’ve ever done? No. Is it somewhere in the middle? Maybe. But then, when you’re talking Pixar, even a half-assed attempt has more craft and care in the first 5 minutes than other movies execute in two hours.
Joe and I have disagreed on movies before, so I don’t know what it is about Cars that I felt I had to defend it in a comic. Honestly, there’s not much to it. I was writing the comic backwards more than anything else. I came up with the Buzz Lightyear tattoo and needed to figure out a reason why Tom would roll up his sleeve to display it. My little conversation with Joe seemed like a good opportunity. And, frankly, I think the guy is really cool and I wanted to sent another shout out his way!
Not much more to say today. I’m writing this post kind of late and I’m drowsy. Now that the artwork for the books is at the printer, I’m kicking around ideas for a new site design. Does that grab you? Oh, well. I only have sketches at this point. I need to take some time this weekend and put together a first draft. It’ll be fun.
What are you doing here, you old so-and-so?!
Hey, Tom. Yeo and I just came here to see Cars!
Cami and I saw it the other day! What did you think of it?
I felt like the story was played out and unoriginal, that there was little to no characterization until the very end and there's no imeadeate urgency to drive the film.
Interesting.
'You sure you want to go down that road, son?